Experiences of Student Circus Arts Performers Undertaking a Shoulder Rehabilitation Program Via Telehealth Consultation During the COVID-19 Pandemic.

IF 0.9 4区 医学 Q3 MEDICINE, GENERAL & INTERNAL
Charlotte Ganderton, A Rayner, S Barradell, D Munro, L Watson, S R Knowles
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引用次数: 0

Abstract

Objective: To explore the subjective experiences of student circus arts performers with atraumatic shoulder instability undertaking a 12-week shoulder rehabilitation program during the COVID-19 pandemic lockdown, in Melbourne, Australia.

Methods: Using a qualitative design, 14 circus arts students from the National Institute of Circus Arts (Australia) were individually interviewed via teleconsultation. All interviews were recorded, transcribed, and analysed using inductive thematic analysis.

Results: Five overarching themes were identified: (i) impact (physical and mental), (ii) opportunity, (iii) developing routine, (iv) client-therapist relationship, and (v) transformation. All participants reported positive physical changes to their shoulder including increases in strength, stability, range of motion, less pain, "clicking" and "clunking," improved posture, muscle memory, as well as carry-over to functional circus activities. The pandemic's mental impact varied across the cohort, with positive and negative experiences described in relation to cognitive, social, and affective factors. Most performers felt the pandemic provided an opportunity to focus on rehabilitation of their shoulder. The program effects were also underpinned by positive client-therapist relationships and a progressive transformation of learning where students gained knowledge of their condition, developed tools to manage their current shoulder impairment, and learned how to apply this new knowledge to future management of their condition.

Conclusion: A shoulder exercise intervention delivered via teleconsultation during the COVID-19 pandemic resulted in subjective reports of positive physical changes to the participants' shoulder health complaint. This was facilitated through client-physiotherapist relationships, providing structure during uncertain times, and by providing education to help in understanding their condition and its future management.

新冠肺炎疫情期间学生马戏演员通过远程医疗咨询开展肩部康复项目的经验
目的:探讨澳大利亚墨尔本新冠肺炎疫情封锁期间,患有非外伤性肩部不稳定的马戏表演学生参加为期12周的肩部康复项目的主观体验。方法:采用质性设计,对来自澳大利亚国立马戏艺术学院的14名马戏艺术学生进行远程咨询访谈。所有访谈都被记录、转录,并使用归纳主题分析进行分析。结果:确定了五个总体主题:(i)影响(身体和心理),(ii)机会,(iii)发展常规,(iv)客户-治疗师关系,(v)转变。所有参与者都报告说,他们的肩膀发生了积极的身体变化,包括力量、稳定性、活动范围、疼痛、“咔嗒声”和“撞击声”的减少、姿势、肌肉记忆的改善,以及对功能性马戏团活动的延续。大流行对整个队列的心理影响各不相同,在认知、社会和情感因素方面描述了积极和消极的经历。大多数表演者认为,大流行病提供了一个机会,重点关注肩膀的康复。该项目的效果还得到了积极的客户-治疗师关系和渐进式学习转变的支持,学生们了解了自己的病情,开发了管理当前肩部损伤的工具,并学会了如何将这些新知识应用于未来的病情管理。结论:在2019冠状病毒病大流行期间,通过远程会诊进行肩部运动干预,导致参与者主观报告肩部健康状况发生积极变化。这是通过客户-物理治疗师的关系,在不确定的时期提供结构,并通过提供教育来帮助了解他们的状况和未来的管理来促进的。
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来源期刊
CiteScore
1.60
自引率
22.20%
发文量
28
审稿时长
>12 weeks
期刊介绍: Medical Problems of Performing Artists is the first clinical medical journal devoted to the etiology, diagnosis, and treatment of medical and psychological disorders related to the performing arts. Original peer-reviewed research papers cover topics including neurologic disorders, musculoskeletal conditions, voice and hearing disorders, anxieties, stress, substance abuse, and other health issues related to actors, dancers, singers, musicians, and other performers.
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