Lucian H Milasan, Amanda F Bingley, Naomi R Fisher
{"title":"The big picture of recovery: a systematic review on the evidence of photography-based methods in researching recovery from mental distress.","authors":"Lucian H Milasan, Amanda F Bingley, Naomi R Fisher","doi":"10.1080/17533015.2020.1855453","DOIUrl":null,"url":null,"abstract":"ABSTRACT Background In the context of a growing body of literature on incorporating visual media in researching well-being and mental health, this systematic review examined the evidence of using photography-based research methods in exploring recovery from mental distress, their outcomes, but also limitations and challenges encountered by researchers. Methodology Six cross-disciplinary electronic databases (CINAHL, MEDLINE, Web of Science, Scopus, PsycINFO, Arts & Humanities) were systematically searched resulting in a total of 15 qualitative and mixed-methods studies included in a thematic synthesis. Results Photo-elicitation and photovoice were identified as the main photographic methods employed in recovery research along with less common, but nonetheless creative, techniques. Four key themes were identified through thematic analysis in photography-based recovery studies: enhanced understanding, collaboration and empowerment, situatedness, and storytelling. The results of this review revealed photography as a valuable methodological tool with potential to contribute to conceptualising recovery from the stance of research participants, but also facilitate and support their recovery processes. Conclusions Recovery research can benefit from the use of photographic methods that are widely accessible, versatile, and interactive. They may offer mental health researchers alternative ways to explore individuals’ perspective on recovery in ways that are creative, empowering, and supportive of their recovery.","PeriodicalId":45944,"journal":{"name":"Arts & Health","volume":"14 2","pages":"165-185"},"PeriodicalIF":1.8000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17533015.2020.1855453","citationCount":"6","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts & Health","FirstCategoryId":"3","ListUrlMain":"https://doi.org/10.1080/17533015.2020.1855453","RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2020/11/30 0:00:00","PubModel":"Epub","JCR":"Q3","JCRName":"PUBLIC, ENVIRONMENTAL & OCCUPATIONAL HEALTH","Score":null,"Total":0}
引用次数: 6
Abstract
ABSTRACT Background In the context of a growing body of literature on incorporating visual media in researching well-being and mental health, this systematic review examined the evidence of using photography-based research methods in exploring recovery from mental distress, their outcomes, but also limitations and challenges encountered by researchers. Methodology Six cross-disciplinary electronic databases (CINAHL, MEDLINE, Web of Science, Scopus, PsycINFO, Arts & Humanities) were systematically searched resulting in a total of 15 qualitative and mixed-methods studies included in a thematic synthesis. Results Photo-elicitation and photovoice were identified as the main photographic methods employed in recovery research along with less common, but nonetheless creative, techniques. Four key themes were identified through thematic analysis in photography-based recovery studies: enhanced understanding, collaboration and empowerment, situatedness, and storytelling. The results of this review revealed photography as a valuable methodological tool with potential to contribute to conceptualising recovery from the stance of research participants, but also facilitate and support their recovery processes. Conclusions Recovery research can benefit from the use of photographic methods that are widely accessible, versatile, and interactive. They may offer mental health researchers alternative ways to explore individuals’ perspective on recovery in ways that are creative, empowering, and supportive of their recovery.
背景:在将视觉媒体纳入幸福感和心理健康研究的文献越来越多的背景下,本系统综述检查了使用基于摄影的研究方法来探索从精神痛苦中恢复的证据,它们的结果,以及研究人员遇到的局限性和挑战。方法:系统地检索了六个跨学科电子数据库(CINAHL, MEDLINE, Web of Science, Scopus, PsycINFO, Arts & Humanities),结果在主题综合中包含了总共15个定性和混合方法的研究。结果:光激发和光声被确定为恢复研究中使用的主要摄影方法,以及不太常见但仍然具有创造性的技术。通过以摄影为基础的康复研究中的主题分析,确定了四个关键主题:增进理解、协作和赋权、情境性和讲故事。这篇综述的结果表明,从研究参与者的角度来看,摄影是一种有价值的方法论工具,有可能有助于概念化恢复,同时也促进和支持他们的恢复过程。结论:恢复研究得益于摄影方法的广泛应用、通用性和互动性。他们可能为心理健康研究人员提供了另一种方法,以创造性、赋权和支持他们康复的方式探索个人对康复的看法。