About the cover.

Abstract

Géricault chose to paint a scene from a recent tragedy, the sinking of the French ship Méduse in 1816, and the plight of the survivors, who, left to their own devices, succumbed to cannibalism, dehydration, and insanity as their numbers shrunk from an initial 150 passengers to the final fifteen who were discovered by accident two weeks later. The finished canvas measured a giant 16’ by 23.5’ and was eventually purchased by the Louvre shortly after the artist’s death in 1824. The community of 100 Mile House has been ravaged itself, if somewhat slower and less dramatically than the passengers of the raft, by downturns in the cattle and forestry industries.