{"title":"Semantic Perception of Color Schemes Across Contrasting Semi-Public Study Environments","authors":"Serra Koz, Nilgün Olguntürk","doi":"10.1002/col.70133","DOIUrl":null,"url":null,"abstract":"<p>Although color schemes are widely acknowledged as a crucial element of interior design, less is known about how they influence the semantic perception of interior spaces. This study examined the effects of various color schemes on semantic assessments in two contrasting semi-public study spaces: libraries and cafés. Four color scheme types (monochromatic, analogous, complementary, and split-complementary) were applied to 16 digitally produced interior stimuli in a within-subjects experimental design. A 25-item semantic differential scale was used by 40 individuals to assess each stimulus. Five semantic dimensions <i>(Orderliness, Environmental Calmness, Stylistic Modernity, Spatiality, and Environmental Openness)</i> were found by exploratory factor analysis. Interior typology significantly affected all five dimensions, while linear mixed-effects models also showed significant color-scheme effects across all five semantic dimensions. Post hoc comparisons further indicated that the pattern of these effects differed across semantic dimensions. No significant Color Scheme × Typology interactions were observed across the five semantic dimensions, suggesting that the effects of color scheme were broadly consistent across the two typologies. The results indicate that both color scheme and interior typology contribute to environmental meaning, while color-scheme effects were broadly consistent across the two typologies.</p>","PeriodicalId":10459,"journal":{"name":"Color Research and Application","volume":"51 6","pages":""},"PeriodicalIF":2.0000,"publicationDate":"2026-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/col.70133","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Color Research and Application","FirstCategoryId":"5","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1002/col.70133","RegionNum":3,"RegionCategory":"工程技术","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CHEMISTRY, APPLIED","Score":null,"Total":0}
引用次数: 0
Abstract
Although color schemes are widely acknowledged as a crucial element of interior design, less is known about how they influence the semantic perception of interior spaces. This study examined the effects of various color schemes on semantic assessments in two contrasting semi-public study spaces: libraries and cafés. Four color scheme types (monochromatic, analogous, complementary, and split-complementary) were applied to 16 digitally produced interior stimuli in a within-subjects experimental design. A 25-item semantic differential scale was used by 40 individuals to assess each stimulus. Five semantic dimensions (Orderliness, Environmental Calmness, Stylistic Modernity, Spatiality, and Environmental Openness) were found by exploratory factor analysis. Interior typology significantly affected all five dimensions, while linear mixed-effects models also showed significant color-scheme effects across all five semantic dimensions. Post hoc comparisons further indicated that the pattern of these effects differed across semantic dimensions. No significant Color Scheme × Typology interactions were observed across the five semantic dimensions, suggesting that the effects of color scheme were broadly consistent across the two typologies. The results indicate that both color scheme and interior typology contribute to environmental meaning, while color-scheme effects were broadly consistent across the two typologies.
期刊介绍:
Color Research and Application provides a forum for the publication of peer-reviewed research reviews, original research articles, and editorials of the highest quality on the science, technology, and application of color in multiple disciplines. Due to the highly interdisciplinary influence of color, the readership of the journal is similarly widespread and includes those in business, art, design, education, as well as various industries.