Teaching Through Making: |xam and !xun Material Culture of the Bleek and Lloyd Collection

IF 1.2 Q3 ANTHROPOLOGY
Vibeke M. Viestad, Justine Wintjes
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引用次数: 0

Abstract

At Wits Art Museum (University of the Witwatersrand, Johannesburg, South Africa) is a small collection donated to the former Wits Museum of Ethnology by Percival Kirby in 1952. A note in the accession register ties the items into the context of the renowned ‘Bushman researches’ of Wilhelm Bleek and Lucy Lloyd in Cape Town in the 1870s and 1880s, an unusual cross-cultural collaboration with a small group of |xam- and !xun-speaking people against the backdrop of the extreme oppression of San peoples across the southern African region. These objects represent a rare instance of historical material culture of San (‘Bushman’) origin in museum collections being associated with named persons or specific communities of origin. We examine them according to object type—spoon, head ornament, firestick, plaything, arrow and bullroarer—to assess their provenance and approach them ‘biographically’, exploring their community origins and coming into being as specific things, and their being gifted to Kirby by Wilhelm's daughter, Dorothea Bleek. Our ‘relocation’, documentation and contextualization of the Bleek-Kirby collection enables some of the material linkages to be restored, complementing the better-known narratives, making the case for the objects as active participants in the conversations, and enriching understanding of the Bleek and Lloyd Collection as a whole. We examine the significant cultural know-how embedded in these objects and emphasize the creative agency of the |xam and !xun people—|hanǂkass'o, !nanni, Tamme among others—as primary authors and producers of knowledge within the broader intellectual project. The bullroarers in particular reveal some of the affordances of this detailed work, assisted by the ongoing digitization and digital curation of the archive.

通过制作教学:b|考试和!布里克和劳埃德收藏的物质文化
在威特沃特斯兰德艺术博物馆(南非约翰内斯堡的威特沃特斯兰德大学),有一件由珀西瓦尔·柯比于1952年捐赠给前威特沃特斯民族学博物馆的小藏品。登记表上的一份说明将这些物品与19世纪70年代和80年代威廉·布里克和露西·劳埃德在开普敦进行的著名的“布希曼研究”联系起来,这是一项与一小群bbbbxam - and !讲巽他语的人在整个南部非洲地区对桑人的极端压迫的背景下。这些物品代表了博物馆收藏中与命名的人或特定的起源社区有关的桑(“布希曼”)起源的历史物质文化的罕见实例。我们根据物品类型——勺子、头饰、火棒、玩具、箭和牛号——来评估它们的来源,并以“传记”的方式接近它们,探索它们的社区起源和作为特定物品的形成,以及它们是威廉的女儿多萝西娅·布里克(Dorothea Bleek)送给柯比的礼物。我们对Bleek- kirby系列的“重新定位”、记录和语境化使一些材料联系得以恢复,补充了更知名的叙述,使这些物品成为对话的积极参与者,并丰富了对Bleek和Lloyd系列的整体理解。我们研究了这些物品中蕴含的重要文化知识,并强调了|0考试和!迅人- |hanǂkass'o, !在更广泛的智力项目中,作为知识的主要作者和生产者。在正在进行的数字化和档案数字化管理的协助下,这些咆哮者特别揭示了这项详细工作的一些启示。
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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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