Skin in the frame: The educational value of historic art in dermatology.

IF 3.5 4区 医学 Q2 DERMATOLOGY
Emma N Dang, Eliot N Mostow
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Abstract

Historic artworks constitute a visual corpus for dermatology education; however, the literature has not been systematically evaluated against contemporary educational standards. This review characterizes published artworks depicting dermatologic disease and assesses their curriculum alignment, clinical accessibility, and skin tone diversity. This was conducted following Preferred Reporting Items for Systematic Reviews and Meta-Analyses guidelines across four databases. Studies were included if they analyzed dermatologic conditions depicted in historic art and provided clinical diagnoses. Data were extracted on artwork characteristics, presence as per the American Academy of Dermatology Basic Dermatology Curriculum, availability in a clinical decision support system (VisualDx), and estimated skin tone using the monk skin tone scale. Forty eight studies met the inclusion criteria, encompassing 77 unique artworks. Oil paintings comprised the dominant medium. A total of 34 distinct dermatologic diagnoses were identified, with alopecia-related conditions being the most depicted. Only 40.3% of the artworks depicted conditions represented in the American Academy of Dermatology Basic Dermatology Curriculum. In contrast, all artworks had their depicted conditions available in the clinical decision support system. Skin tone assessment revealed that 06 of 10 monk skin tone scores were represented; however, the distribution was heavily skewed toward lighter skin tones, with monk 01 to 03 accounting for 81.2% of all ratings. The historic art literature in dermatology is diagnostically broad and accessible through contemporary clinical reference tools, yet misaligned with the formal dermatology curriculum and underrepresents darker skin tones. Intentional curation toward curriculum-prioritized topics and skin tone diversity would be needed for this work to serve as an educational and investigative resource across the full spectrum of dermatologic practice and research.

框架中的皮肤:皮肤病学历史艺术的教育价值。
历史艺术品构成皮肤病学教育的视觉语料库;然而,这些文献并没有根据当代教育标准进行系统的评估。本文综述了已发表的皮肤病艺术作品的特征,并评估了它们的课程一致性、临床可及性和肤色多样性。这是按照PRISMA指南在4个数据库中进行的。如果研究分析了历史艺术中描述的皮肤病并提供临床诊断,则纳入研究。提取的数据包括艺术品特征、美国皮肤病学会(AAD)基础皮肤病课程、临床决策支持系统(VisualDx)的可用性,以及使用Monk肤色(MST)量表估计肤色。48项研究符合纳入标准,包括77件独特的艺术品。油画是主要的绘画媒介。共有34种不同的皮肤病诊断被确定,与脱发相关的条件是最描述。只有40.3%的艺术品描绘了美国皮肤病学会皮肤病基础课程所代表的病症。相比之下,所有艺术品在临床决策支持系统中都有其描述的条件。肤色评估显示10个MST中有6个存在;然而,分布严重偏向浅色肤色,Monk 01-03占所有评分的81.2%。皮肤病学的历史艺术文献在诊断上是广泛的,并且可以通过当代临床参考工具获得,然而,与正式的皮肤病学课程和深色肤色的代表性不足不一致。对于课程优先主题和肤色多样性的有意策划,将需要这项工作作为跨皮肤病学实践和研究全谱的教育和调查资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Clinics in dermatology
Clinics in dermatology 医学-皮肤病学
CiteScore
4.60
自引率
7.40%
发文量
106
审稿时长
3 days
期刊介绍: Clinics in Dermatology brings you the most practical and comprehensive information on the treatment and care of skin disorders. Each issue features a Guest Editor and is devoted to a single timely topic relating to clinical dermatology. Clinics in Dermatology provides information that is... • Clinically oriented -- from evaluation to treatment, Clinics in Dermatology covers what is most relevant to you in your practice. • Authoritative -- world-renowned experts in the field assure the high-quality and currency of each issue by reporting on their areas of expertise. • Well-illustrated -- each issue is complete with photos, drawings and diagrams to illustrate points and demonstrate techniques.
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