The Influence of the Buddhist View of Life and Death on the Forms of Traditional Chinese Funerary Apparel.

IF 1.3
Omega Pub Date : 2026-09-17 DOI:10.1177/00302228261489922
Ruiyi Yang, Bin Li
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Abstract

Traditional Chinese funerary apparel reflects the historical interplay between indigenous patriarchal ethics and introduced Buddhist concepts of karma and rebirth. Using historical literature and visual data, this study explores how Buddhist views on life and death reshaped the form and structure of mourning attire.The research reveals three main findings:1)In terms of form and tailoring,the Buddhist pursuit of liberation inspired loose-fitting garments that replaced buttons with ribbons, metaphorically symbolizing the release of worldly ties and karmic hindrances.2)At the level of visual symbols,integrating motifs like lotus flowers and Sanskrit transformed these garments from rigid markers of patriarchal hierarchy into functional ritual implements used to pray for soul deliverance.3)At the level of the game of etiquette and law,to navigate strict Confucian clothing regulations, folk mourning apparel developed a dual structure. People outwardly adhered to orthodox Confucian norms while concealing Buddhist elements within their inner layers.

佛教生死观对中国传统丧服形式的影响。
中国传统丧服反映了本土宗法伦理与佛教因果报应和轮回观念之间的历史相互作用。本研究利用历史文献和视觉资料,探讨佛教的生死观如何重塑丧服的形式和结构。研究发现了三个主要发现:1)在形式和剪裁方面,佛教对解脱的追求激发了宽松的服装,用丝带代替纽扣,隐喻地象征着世俗束缚和业力障碍的释放。2)在视觉符号层面,莲花和梵语等图案的融合使这些服装从父权等级的刚性标记转变为用于祈祷灵魂解脱的功能性仪式工具。(3)在礼法博弈层面,为适应儒家严格的服饰规定,民间丧服形成了双重结构。人们表面上坚持正统的儒家规范,内心深处却隐藏着佛教元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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