{"title":"Of Dark Arts and Dictators-Why the Russian Constitution Matters: The Constitutional Dark Arts by William Partlett.","authors":"Alasdair McCallum","doi":"10.1093/ojls/gqag015","DOIUrl":null,"url":null,"abstract":"<p><p>Analysis of authoritarian constitutions is a growing but still relatively underdeveloped body of literature. The traditional explanation is that these constitutions are no more than 'shams' or 'fig leaves'. William Partlett's book <i>Why the Russian Constitution Matters: The Constitutional Dark Arts</i> challenges this, placing the Russian Constitution at the centre of a phenomenon Partlett terms the 'constitutional dark arts', a practice combining a hyper-centralisation of power in the elected president with the claim to be upholding rights and democracy. In doing so, it offers both a new constitutional history of Russia and a new generalist paradigm of the 'constitutional dark arts' which can be applied in both authoritarian states and democratic states undergoing backsliding and creeping autocratisation. Partlett's book answers the question of whether the Russian Constitution matters in the affirmative, and will be of interest to scholars of comparative constitutionalism, democratic decline, and Russian and post-Soviet studies more broadly.</p>","PeriodicalId":47225,"journal":{"name":"Oxford Journal of Legal Studies","volume":"46 3","pages":"685-705"},"PeriodicalIF":1.4000,"publicationDate":"2026-05-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13553199/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oxford Journal of Legal Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1093/ojls/gqag015","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2026/1/1 0:00:00","PubModel":"eCollection","JCR":"Q1","JCRName":"LAW","Score":null,"Total":0}
引用次数: 0
Abstract
Analysis of authoritarian constitutions is a growing but still relatively underdeveloped body of literature. The traditional explanation is that these constitutions are no more than 'shams' or 'fig leaves'. William Partlett's book Why the Russian Constitution Matters: The Constitutional Dark Arts challenges this, placing the Russian Constitution at the centre of a phenomenon Partlett terms the 'constitutional dark arts', a practice combining a hyper-centralisation of power in the elected president with the claim to be upholding rights and democracy. In doing so, it offers both a new constitutional history of Russia and a new generalist paradigm of the 'constitutional dark arts' which can be applied in both authoritarian states and democratic states undergoing backsliding and creeping autocratisation. Partlett's book answers the question of whether the Russian Constitution matters in the affirmative, and will be of interest to scholars of comparative constitutionalism, democratic decline, and Russian and post-Soviet studies more broadly.
对权威宪法的分析是一个不断发展但仍相对不发达的文学体。传统的解释是,这些宪法只不过是“幌子”或“遮羞布”。威廉·帕特利特(William Partlett)的书《为什么俄罗斯宪法很重要:宪法黑魔法》(Why Russian Constitution Matters: the Constitutional Dark Arts)挑战了这一点,将俄罗斯宪法置于帕特利特称之为“宪法黑魔法”的现象的中心,这种现象将选举产生的总统的权力高度集中与维护权利和民主的主张结合起来。在这样做的过程中,它既提供了一个新的俄罗斯宪法历史,也提供了一个新的“宪法黑暗艺术”的通才范式,可以应用于专制国家和民主国家,经历倒退和缓慢的独裁。帕特利特的书回答了俄罗斯宪法是否具有肯定意义的问题,并将引起比较宪政、民主衰落以及更广泛的俄罗斯和后苏联研究的学者的兴趣。
期刊介绍:
The Oxford Journal of Legal Studies is published on behalf of the Faculty of Law in the University of Oxford. It is designed to encourage interest in all matters relating to law, with an emphasis on matters of theory and on broad issues arising from the relationship of law to other disciplines. No topic of legal interest is excluded from consideration. In addition to traditional questions of legal interest, the following are all within the purview of the journal: comparative and international law, the law of the European Community, legal history and philosophy, and interdisciplinary material in areas of relevance.