{"title":"‘You’re not progressive enough for this’: Pre-woke nostalgia and queer disruption in HBO revival And Just Like That …","authors":"Kate McNicholas Smith","doi":"10.1177/17496020261474827","DOIUrl":null,"url":null,"abstract":"Recent years have seen a trend for televisual remakes and revivals. Such shows must update themselves for contemporary audiences whilst maintaining nostalgic appeal. <jats:italic toggle=\"yes\">And Just Like That…,</jats:italic> HBO’s <jats:italic toggle=\"yes\">Sex and the City</jats:italic> revival <jats:italic toggle=\"yes\">,</jats:italic> does so by diversifying and engaging with ‘woke TV’, but also with reactionary discourses. The series reveals the tensions of contemporary returns to the past, where nostalgia might extend beyond a <jats:italic toggle=\"yes\">narrative</jats:italic> world to a <jats:italic toggle=\"yes\">social</jats:italic> world. Thus, this article identifies ‘pre-woke nostalgia’: a regressive draw to imagined ‘pre-woke’ times. This is both epitomised and complicated in newly queer Miranda and controversial new character, Che Diaz.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"61 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2026-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020261474827","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Recent years have seen a trend for televisual remakes and revivals. Such shows must update themselves for contemporary audiences whilst maintaining nostalgic appeal. And Just Like That…, HBO’s Sex and the City revival , does so by diversifying and engaging with ‘woke TV’, but also with reactionary discourses. The series reveals the tensions of contemporary returns to the past, where nostalgia might extend beyond a narrative world to a social world. Thus, this article identifies ‘pre-woke nostalgia’: a regressive draw to imagined ‘pre-woke’ times. This is both epitomised and complicated in newly queer Miranda and controversial new character, Che Diaz.
近年来出现了电视翻拍和复兴的趋势。这样的节目必须在保持怀旧吸引力的同时,为当代观众更新自己。HBO的《欲望都市》(Sex And the City)翻拍版《就像那样》(Just Like That…)通过多样化和参与“觉醒电视”,但也加入了反动的话语,做到了这一点。该系列揭示了当代回归过去的紧张关系,怀旧可能会从叙事世界延伸到社会世界。因此,本文确定了“觉醒前的怀旧”:一种对想象中的“觉醒前”时代的倒退。这在新近成为酷儿的米兰达和备受争议的新角色切·迪亚兹身上得到了体现,也变得更加复杂。
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.