Female psychiatrists on screen: Cinematic stereotypes and therapeutic authority, 1935-2021.

IF 0.9 3区 哲学 Q4 HISTORY OF SOCIAL SCIENCES
Dennis Henkel, Walter Stehling, Katja Wagemans
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引用次数: 0

Abstract

Throughout the 20th century, women entered psychiatry, yet cinematic representations remained structured by masculinised archetypes such as Dr Evil, Dr Wonderful, and Dr Dippy. This article interrogates depictions of female psychiatrists in nineteen films and one paradigmatic television series (1935-2021) through a historically grounded qualitative analysis. It identifies two gendered figures - Dr Correction and Dr Trapped - that reconfigure the masculine triad into a moral continuum of care, control and vulnerability. By situating these tropes within psychiatry's shifting professional and moral framework, the study contends that visual media did not merely reflect psychiatry's feminisation but actively mediated it, producing new affective regimes of therapeutic authority. Cinema thus emerges as a site where psychiatry's gendered epistemologies were imagined, contested and negotiated.

银幕上的女性精神科医生:电影刻板印象和治疗权威,1935-2021。
在整个20世纪,女性进入了精神病学领域,然而电影表现仍然是由男性化的原型构成的,比如邪恶博士、奇妙博士和愚蠢博士。本文通过基于历史的定性分析,对19部电影和一部典型电视剧(1935-2021)中对女性精神科医生的描述进行了探究。它确定了两个性别人物——纠正博士和困住博士——他们将男性三位一体重新配置为关怀、控制和脆弱的道德连续体。通过将这些比喻置于精神病学不断变化的专业和道德框架中,该研究认为,视觉媒体不仅反映了精神病学的女性化,而且积极地调解了这一现象,产生了新的治疗权威的情感体制。电影因此成为精神病学的性别认识论被想象、争论和协商的场所。
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来源期刊
CiteScore
1.10
自引率
16.70%
发文量
34
期刊介绍: History of Psychiatry publishes research articles, analysis and information across the entire field of the history of mental illness and the forms of medicine, psychiatry, cultural response and social policy which have evolved to understand and treat it. It covers all periods of history up to the present day, and all nations and cultures.
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