Creative innovation, global engagement and public outcomes: The significance of Netflix’s Adolescence

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2026-06-05 DOI:10.1177/17496020261455492

Trisha Dunleavy

引用次数: 0

Abstract

This article explores the UK significance of Netflix’s Adolescence in three areas. First is why Adolescence was commissioned for Netflix, a multinational subscription video-on-demand (SVoD) service, rather than for one of the UK’s PSBs and what this conveys about the current position of UK-produced high-end dramas and Netflix’s involvement in them. Second is the creative genesis of Adolescence and what narrative and aesthetic strategies were important to the story it tells. Third are the public outcomes of Adolescence , its connections with the UK’s PSB drama traditions, and the significance of its near-global release.

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创意创新、全球参与和公共成果：Netflix《青春期》的意义

本文从三个方面探讨了Netflix的《青春期》在英国的意义。首先，为什么《青春期》是由跨国订阅视频点播（SVoD）服务公司奈飞（Netflix）而不是一家英国的psb公司委托拍摄的，这传达了英国制作的高端电视剧的现状，以及奈飞参与其中的原因。其次是《青春期》的创作起源，以及叙事和美学策略对它所讲述的故事的重要性。第三是《青春期》的公众效应，它与英国PSB戏剧传统的联系，以及它近全球发行的意义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.