{"title":"Decoding the political allegory in the Syrian comedy al-Kherba","authors":"Malek J. Zuraikat","doi":"10.1177/17496020261462005","DOIUrl":null,"url":null,"abstract":"The Syrian television sitcom <jats:italic toggle=\"yes\">al-Kherba</jats:italic> (‘the Ruin’, 2011-present) can be viewed as a political allegory that dramatises the authoritarian Ba’th regime in Syria (1971–2024). Analysing the village-setting and character dynamics in numerous scenes distributed throughout the entirety of the <jats:italic toggle=\"yes\">musalsal</jats:italic> ’s 30 episodes, the paper argues that <jats:italic toggle=\"yes\">al-Kherba</jats:italic> invites an allegorical reading of the humoristic discourse arising from the integration of sociopolitical realism and idealism. The paper concludes that <jats:italic toggle=\"yes\">al-Kherba</jats:italic> , making available an allegorical reading of authoritarian governance, testifies to the capacity of television comedy drama to transmit political messages beyond the limits of everyday laughter.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"37 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2026-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020261462005","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
The Syrian television sitcom al-Kherba (‘the Ruin’, 2011-present) can be viewed as a political allegory that dramatises the authoritarian Ba’th regime in Syria (1971–2024). Analysing the village-setting and character dynamics in numerous scenes distributed throughout the entirety of the musalsal ’s 30 episodes, the paper argues that al-Kherba invites an allegorical reading of the humoristic discourse arising from the integration of sociopolitical realism and idealism. The paper concludes that al-Kherba , making available an allegorical reading of authoritarian governance, testifies to the capacity of television comedy drama to transmit political messages beyond the limits of everyday laughter.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.