Introduction to ‘Transitus: Illustration as Material Crossing Ground’: The stake in the physical trace

IF 0.1 0 ART
Carolyn Shapiro
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Abstract

Taking its inspiration from the ‘Transitus’ theme of the 12th Annual Illustration Research Symposium , hosted online 14–15 July 2022 by Falmouth University, United Kingdom, this editorial considers material expressions of what might be understood as the performative prefix ‘trans-’. Each of the essays introduced here responds to an understanding of the crossing ground we are naming ‘Transitus’ as one which is invested in retaining a physical connection or trace in its referential, illustrative function. Not coincidentally, many of the articles included here identify this physical trace as one which partakes in the materiality of photography or celluloid, prompting a larger consideration of relationships between photography, film and illustrative practices. This identified relationship signals a desire to hold on to a material trace of the ‘real’ in order to ground a given narrative. Other examples of material anchoring to those of photography and film are also considered here as part of a broader theorization of illustration practices that hold on to the physical object or artefact in order to achieve their respective communicative acts of crossing over.
“Transitus:插图作为物质的交叉点”导论:物理痕迹中的利害关系
从2022年7月14日至15日由英国法尔茅斯大学在线主办的第12届年度插画研究研讨会的“Transitus”主题中获得灵感,这篇社论考虑了可能被理解为表演前缀“trans-”的物质表达。这里介绍的每一篇文章都回应了对交叉点的理解,我们将“Transitus”命名为一个在其参考和说明功能中保留物理联系或痕迹的地方。并非巧合的是,这里包含的许多文章都将这种物理痕迹识别为摄影或赛璐珞的物质性,这促使人们更广泛地考虑摄影、电影和说明性实践之间的关系。这种确定的关系表明,人们渴望抓住“真实”的物质痕迹,以便为给定的叙事奠定基础。与摄影和电影相关的材料的其他例子也被认为是插图实践的更广泛理论的一部分,这些实践坚持物理对象或人工制品,以实现它们各自的跨越交流行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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