‘Fluid, not Frozen’: Assigning memory to material

IF 0.1 0 ART
Nina Sabnani
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引用次数: 1

Abstract

‘Fluid, not Frozen’ delves into the relationship between intangible memory and its material form, as experienced through collaborative projects with artists from Kutch and Rajasthan, India. These artists employ the mediums of cloth and wood, respectively, to manifest and embed their memories in tangible forms such as embroidery and the kaavad shrine. The communities’ artworks (or artistic traditions) serve as living examples of the dynamic, evolving nature of memory and material, with cloth and wood echoing the malleability and resilience of memory. This article shares the insights that emerged from the collaboration between the artists and the filmmaker–author with regard to the fluidity and transformation of memory and material.
“流动的,而不是凝固的”:将记忆分配给材料
“流动,而非冻结”通过与印度库奇和拉贾斯坦邦艺术家的合作项目,深入探讨了无形记忆与物质形式之间的关系。这些艺术家分别使用布料和木材作为媒介,将他们的记忆以刺绣和卡瓦德神龛等有形的形式表现和嵌入。社区的艺术作品(或艺术传统)是记忆和材料的动态、进化本质的活生生的例子,布料和木材反映了记忆的延展性和弹性。这篇文章分享了艺术家和电影制作人-作者之间关于记忆和材料的流动性和转化的合作所产生的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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