Encoding, decoding race. The politics of production and reception in cultural industries

IF 0.7 4区社会学 Q3 CULTURAL STUDIES

French Cultural Studies Pub Date : 2026-04-13 DOI:10.1177/09571558261420124

Maxime Cervulle, Anamik Saha, Karim Hammou, Emily Q. Shuman

引用次数: 0

Abstract

In this joint interview, Anamik Saha and Maxime Cervulle discuss their respective acts of scholarship. Their research shares a common root in British Cultural Studies, particularly in the foundational work of Stuart Hall. Based on distinct case studies and research trajectories in two different academic contexts, each scholar has offered essential contributions to the study of how race configures the contemporary cultural industries. Their exchange particularly homes in on how to grasp the relationship between race and popular culture in the current conjuncture, and defends a view of research as a political intervention within a situated power dynamic.

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编码，解码竞赛。文化产业中的生产与接受政治

在这次联合采访中，Anamik Saha和Maxime Cervulle讨论了他们各自的学术行为。他们的研究在英国文化研究中有着共同的根源，特别是在斯图尔特·霍尔的基础工作中。基于两种不同学术背景下的不同案例研究和研究轨迹，每位学者都对种族如何配置当代文化产业的研究做出了重要贡献。他们的交流主要集中在如何把握当前形势下种族与流行文化之间的关系，并为一种观点进行辩护，即研究是一种权力动态中的政治干预。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

French Cultural Studies Multiple-

CiteScore

0.70

自引率

0.00%

发文量

期刊介绍： French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.