Katrin Starcke, Stefan Gebhardt, Richard von Georgi
{"title":"Music listening according to the iso principle in patients with mood disorders","authors":"Katrin Starcke, Stefan Gebhardt, Richard von Georgi","doi":"10.1177/03057356261427384","DOIUrl":null,"url":null,"abstract":"It has been proposed that patients who suffer from mood disorders benefit from music listening according to the iso principle. The iso principle in a therapeutic context means that patients initially listen to music which matches their current state, and afterward listen to music which expresses a desired state. However, experimental evidence in this patient group is lacking. Thirty-eight patients with mood disorders were included. They were randomly assigned to one of two experimental groups: the iso-group listened to music according to the iso principle with a sad song first and a happy song afterward; the compensatory-group listened to music according to the compensatory principle with two happy songs in sequence. In the iso-group, positive affect decreased after the sad song, and increased after the happy song. In the compensatory-group, positive affect immediately increased after the first happy song, and did not further increase after the second happy song. Negative affect decreased in both groups. We conclude that music listening to the iso principle as well as the compensatory principle are suited for affect regulation in patients with mood disorders. For therapeutic purposes, the iso principle may be used to work with the affect-enhancing effect after low positive affect.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"242 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2026-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356261427384","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
It has been proposed that patients who suffer from mood disorders benefit from music listening according to the iso principle. The iso principle in a therapeutic context means that patients initially listen to music which matches their current state, and afterward listen to music which expresses a desired state. However, experimental evidence in this patient group is lacking. Thirty-eight patients with mood disorders were included. They were randomly assigned to one of two experimental groups: the iso-group listened to music according to the iso principle with a sad song first and a happy song afterward; the compensatory-group listened to music according to the compensatory principle with two happy songs in sequence. In the iso-group, positive affect decreased after the sad song, and increased after the happy song. In the compensatory-group, positive affect immediately increased after the first happy song, and did not further increase after the second happy song. Negative affect decreased in both groups. We conclude that music listening to the iso principle as well as the compensatory principle are suited for affect regulation in patients with mood disorders. For therapeutic purposes, the iso principle may be used to work with the affect-enhancing effect after low positive affect.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.