{"title":"Nearby, Self-Critical, Ambivalent: Modes of Writing Arab Queerness.","authors":"Lamiae Bouqentar","doi":"10.1177/15327086251413693","DOIUrl":null,"url":null,"abstract":"<p><p>This paper foregrounds what I term <i>writing through encounters</i> rooted in the premise of writing as a mode of creation. Encounters are understood as affective intensity generating a change in movement (Ahmed, 2000; Probyn, 2016). Through encounters with the self as well as with Arab/Swana queer immigrants, I articulate self-critical writing practices (Anzaldúa, 1987; Nelson, 2015; Mikkilä, 2024), and writing nearby (Minh-Ha, 1994) as creative and critical writing practices to weave an Arab queerness in a non-linear and fragmentary fashion. By attending to ambivalence as a site of critical inquiry and creative response, it invites a mode of writing that is open, multiple, unfinished, and always in encounters with the entangled worlds it inhabits. In this sense, writing <i>through encounters</i> offers novel ways for marginalized voices to reframe their understanding of intersectional identities oscillating between visibility and opacity, migratory experiences, and agencies within the academic landscape.</p>","PeriodicalId":46996,"journal":{"name":"Cultural Studies-Critical Methodologies","volume":"26 3","pages":"191-201"},"PeriodicalIF":0.6000,"publicationDate":"2026-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC13061307/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Studies-Critical Methodologies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/15327086251413693","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2026/6/1 0:00:00","PubModel":"eCollection","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This paper foregrounds what I term writing through encounters rooted in the premise of writing as a mode of creation. Encounters are understood as affective intensity generating a change in movement (Ahmed, 2000; Probyn, 2016). Through encounters with the self as well as with Arab/Swana queer immigrants, I articulate self-critical writing practices (Anzaldúa, 1987; Nelson, 2015; Mikkilä, 2024), and writing nearby (Minh-Ha, 1994) as creative and critical writing practices to weave an Arab queerness in a non-linear and fragmentary fashion. By attending to ambivalence as a site of critical inquiry and creative response, it invites a mode of writing that is open, multiple, unfinished, and always in encounters with the entangled worlds it inhabits. In this sense, writing through encounters offers novel ways for marginalized voices to reframe their understanding of intersectional identities oscillating between visibility and opacity, migratory experiences, and agencies within the academic landscape.
期刊介绍：
The mandate for this interdisciplinary, international journal is to move methods talk in cultural studies to the forefront, into the regions of moral, ethical and political discourse. The commitment to imagine a more democratic society has been sa guiding feature of cultural studies from the very beginnnig. Contributors to this journal understand that the discourses of a critical, moral methodology are basic to any effort to re-engage the promise of the social sciences and the humanities for democracy in the 21st Century. We seek works that connect critical emanicipatory theories to new forms of social justice and democratic practice are encouraged.
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