Jurgis Peters, Mila Bujić, Riku Roihankorpi, Juho Hamari
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引用次数: 0
Abstract
Previous research has often relied on passive observation of external phenomena when exploring technology-mediated self-transcendent experiences, overlooking co-creative, embodied interactivity. This study addresses this gap by investigating how aesthetic awe can be intentionally designed for using a novel Generative AI enabled interactive installation that augments a participant's self-reflection in real-time We conducted a within-subjects experiment (N = 40) with four scenarios, each employing a distinct artistic design strategy. Experiences were evaluated using psychometric instruments for awe, self-immersion, and individual traits, alongside subjective impact ratings. Findings suggested two psychological pathways to awe: a ‘Connection-Driven’ pathway, utilising realistic, narrative-led stimuli, fostered higher self-immersion and activated the Connectedness facet of awe; and a ‘Vastness-Driven’ pathway, employing abstract and unpredictable stimuli, activated the perceived Vastness and Accommodation facets of awe, despite lower self-immersion. Furthermore, individual traits were significant predictors of the experience, with Self-Transcendence, Engagement with Beauty, and Neuroticism all positively correlating with reported awe experience.
期刊介绍:
Empirical Studies of the Arts (ART) aims to be an interdisciplinary forum for theoretical and empirical studies of aesthetics, creativity, and all of the arts. It spans anthropological, psychological, neuroscientific, semiotic, and sociological studies of the creation, perception, and appreciation of literary, musical, visual and other art forms. Whether you are an active researcher or an interested bystander, Empirical Studies of the Arts keeps you up to date on the latest trends in scientific studies of the arts.