A Layer of Salt for My Oblivion: An Artist’s Reflections on Archives and Resistance

Abstract

In this essay, the author reflects on the entangled histories of archaeology, colonial extraction, and heritage dispersion through the lens of her artistic research project, A Layer of Salt for My Oblivion. Centering the displacement of the Old Kingdom mastaba of Neferirtenef from Saqqara to the Royal Museums of Art and History in Brussels, the author unearths the silences embedded within archival photographs. The archive in focus is that accumulated by Belgian Egyptologist Jean Capart, several of whose archaeological missions were funded by the Belgian industrialist Baron Empain. The latter’s imperial ambitions also defined the urban fabric of the author’s own childhood in Egypt. Blending essay, archival intervention, and poetic voice, the author proposes an alternative mode of listening to displaced heritage: one that honours the agency of the silenced, embraces rupture over restoration, and invites the possibility of care over control.