Claire Valkenburg, Madelief van den Ent, Megan Nederlof, Rifka Dirkzwager, Laura Nokkert, Marianne Donker, Barbara Groot-Sluijsmans
{"title":"Serenading the mind: positive and critical lived experiences of individuals with dementia with participatory community choirs.","authors":"Claire Valkenburg, Madelief van den Ent, Megan Nederlof, Rifka Dirkzwager, Laura Nokkert, Marianne Donker, Barbara Groot-Sluijsmans","doi":"10.1080/17533015.2026.2637142","DOIUrl":null,"url":null,"abstract":"<p><strong>Background: </strong>Participatory choirs gathering people with and without dementia, aiming at the well-being of participants and stigma-reduction, are promising; however, there is a lack of research on the challenging aspects of participatory choirs from the perspective of people with dementia.</p><p><strong>Methods: </strong>To understand these experiences, we conducted 14 semi-structured interviews with choir participants and mostly together with their loved ones from different participatory choirs, and seven researchers conducted participatory observations during choir rehearsals and performances.</p><p><strong>Results: </strong>Most participants valued singing in a participatory choir; however, the stories also showed that organizing the choir requires a balancing act for initiators, coordinators, and conductors on many levels. The four key themes identified in this study highlight participants' multiform experiences: (1) Balancing accessibility with aesthetics? (2) Choir as a warm bath, but too short? (3) High-quality music, but too challenging? (4) Self-reliant, but with limits?</p><p><strong>Conclusions: </strong>The choir's approach requires attention to meet all members' varied needs and remains true to its core mission.</p>","PeriodicalId":45944,"journal":{"name":"Arts & Health","volume":" ","pages":"1-15"},"PeriodicalIF":1.5000,"publicationDate":"2026-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts & Health","FirstCategoryId":"3","ListUrlMain":"https://doi.org/10.1080/17533015.2026.2637142","RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PUBLIC, ENVIRONMENTAL & OCCUPATIONAL HEALTH","Score":null,"Total":0}
引用次数: 0
Abstract
Background: Participatory choirs gathering people with and without dementia, aiming at the well-being of participants and stigma-reduction, are promising; however, there is a lack of research on the challenging aspects of participatory choirs from the perspective of people with dementia.
Methods: To understand these experiences, we conducted 14 semi-structured interviews with choir participants and mostly together with their loved ones from different participatory choirs, and seven researchers conducted participatory observations during choir rehearsals and performances.
Results: Most participants valued singing in a participatory choir; however, the stories also showed that organizing the choir requires a balancing act for initiators, coordinators, and conductors on many levels. The four key themes identified in this study highlight participants' multiform experiences: (1) Balancing accessibility with aesthetics? (2) Choir as a warm bath, but too short? (3) High-quality music, but too challenging? (4) Self-reliant, but with limits?
Conclusions: The choir's approach requires attention to meet all members' varied needs and remains true to its core mission.