The recursive engagement economy of film success: Social media eWOM, box office sustainability, and marketing efficiency in China

IF 6.7 2区 社会学 Q2 ENVIRONMENTAL SCIENCES
Sustainable Futures Pub Date : 2026-06-01 Epub Date: 2026-01-14 DOI:10.1016/j.sftr.2026.101654
Canaan Tinotenda Madongo , Zhongjun Tang , Takunda Option Chiwaridzo
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引用次数: 0

Abstract

Social media-driven electronic Word-of-Mouth (e-WOM) has emerged as a crucial determinant of movie box-office success, particularly in digitally complex markets like China. Yet, the specific influence of China’s unique regulatory environment and distinct social media platforms on Word-of-Mouth dynamics remains underexplored. Addressing this critical gap, our research explores how online Word-Of-Mouth sentiment on Chinese platforms (Weibo, Douyin, Bilibili, and Xiaohongshu) mediates relationships between social media engagement and multifaceted film sustainability outcomes—including box office revenues, cultural value, and resource-efficient marketing practices. Utilizing a robust mixed-method design, we merge longitudinal sentiment data analysis (1.2 m user-generated posts) with Structural Equation Modeling based on survey responses from 925 film industry professionals. Granger causality tests robustly confirm that pre-release Word-Of-Mouth sentiment significantly predicts subsequent revenue trends without evidence of reverse causation, while Structural Equation Modeling analysis establishes online Word-Of-Mouth as an influential mediator that strengthens the linkage between initial social media engagement and sustained film profitability. This study introduces the “Recursive Engagement Economy of Film Success” framework, integrating Diffusion of Innovations and Social Influence theories to illustrate how Word-Of-Mouth triggers an enduring cycle of audience engagement, thereby decreasing marketing resource waste and prolonging revenue streams beyond initial theatrical releases. The research illuminate how China’s unique platform ecosystems prioritize authentic sentiment-driven virality rather than conventional Western influencer-centric strategies, enabling more streamlined, cost-effective promotional activities. This research provides practical guidance for filmmakers, marketers, and policymakers working within China’s competitive digital context, emphasizing transparency and consumer empowerment as key mechanisms for achieving lasting commercial, cultural, and environmental sustainability.
电影成功的递归参与经济:中国的社交媒体eom、票房可持续性和营销效率
社交媒体驱动的电子口碑(e-WOM)已经成为电影票房成功的关键决定因素,尤其是在中国这样的数字复杂市场。然而,中国独特的监管环境和独特的社交媒体平台对口碑动态的具体影响仍未得到充分探讨。为了解决这一关键差距,我们的研究探讨了中国平台(微博、抖音、哔哩哔哩和小红书)上的在线口碑情绪如何调解社交媒体参与与多方面的电影可持续性结果之间的关系,包括票房收入、文化价值和资源效率营销实践。利用稳健的混合方法设计,我们将纵向情绪数据分析(120万用户生成的帖子)与基于925名电影行业专业人士调查回复的结构方程建模合并在一起。格兰杰因果检验有力地证实,在没有反向因果关系的证据的情况下,上映前的口碑情绪显著地预测了随后的收入趋势,而结构方程模型分析确立了在线口碑作为一个有影响力的中介,加强了初始社交媒体参与和持续电影盈利之间的联系。本研究引入了“电影成功的递归参与经济”框架,整合了创新扩散和社会影响理论,以说明口碑如何触发观众参与的持久循环,从而减少营销资源浪费,并延长最初影院上映后的收入流。该研究阐明了中国独特的平台生态系统如何优先考虑真实的情感驱动型病毒式传播,而不是传统的西方以影响力为中心的策略,从而实现更精简、更具成本效益的推广活动。本研究为在中国竞争激烈的数字环境下工作的电影制作人、营销人员和政策制定者提供了实践指导,强调透明度和消费者赋权是实现持久的商业、文化和环境可持续性的关键机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Sustainable Futures
Sustainable Futures Social Sciences-Sociology and Political Science
CiteScore
9.30
自引率
1.80%
发文量
34
审稿时长
71 days
期刊介绍: Sustainable Futures: is a journal focused on the intersection of sustainability, environment and technology from various disciplines in social sciences, and their larger implications for corporation, government, education institutions, regions and society both at present and in the future. It provides an advanced platform for studies related to sustainability and sustainable development in society, economics, environment, and culture. The scope of the journal is broad and encourages interdisciplinary research, as well as welcoming theoretical and practical research from all methodological approaches.
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