Terenzio Cassina, Alessia Tomasin, Orietta Calcinoni, Umberto Ambrosetti, Eliana Filipponi, Valeria Castelli, Riccardo Bianchin, Valentina Teodorani, Laura Magnoni, Leonardo Braga, Linda Parati, Federica Di Berardino
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引用次数: 0
Abstract
Background: This study was conducted to determine whether occupational exposure to high sound levels, typical of an opera orchestra, can cause hearing loss.
Methods: The orchestra professors at Teatro alla Scala in Milan underwent ear examinations, pure-tone audiometry, and other audiological tests. The hearing thresholds of these musicians were compared with those of populations not exposed to occupational noise and with populations exposed to industrial noise. Noise exposure levels were estimated through a phonometric survey conducted at our theater in 2011, which largely confirmed the exposure levels outlined in European guidelines.
Results: The average audiometric thresholds of the orchestra musicians were slightly worse than the median thresholds of a healthy, non-noise-exposed population. In three subjects (2.8%), bilateral hearing impairment (PTA 0.5, 1, 2, 3, 4 kHz > 25 dB HL) was observed; in four violinists (3.7%) left unilateral hearing impairment was found. This rate is lower than the expected risk from similar industrial noise exposures. Comparing these audiometries with those from about ten years earlier shows that the hearing threshold decline in the study group is comparable to that caused by presbycusis.
Conclusions: The risk of noise-induced hearing loss among professional orchestra musicians appears lower than predicted by the UNI ISO 1999:2015 standard. A few cases of hearing loss due to chronic acoustic trauma were noted, particularly among violinists who demonstrated a higher incidence of left unilateral hearing loss. The high levels of sound exposure and the presence of some hearing loss cases highlight the need for targeted preventative measures in this work activity.
背景:本研究旨在确定职业性暴露于高音量环境(典型的歌剧乐团)是否会导致听力损失。方法:对米兰斯卡拉歌剧院的乐团教授进行了耳部检查、纯音测听和其他听力学检查。将这些音乐家的听力阈值与未暴露于职业噪声和暴露于工业噪声的人群的听力阈值进行比较。噪音暴露水平是通过2011年在我们剧院进行的声频调查估计的,这在很大程度上证实了欧洲指导方针中概述的暴露水平。结果:管弦乐队音乐家的平均听力阈值略低于健康、非噪声暴露人群的中位数阈值。3例(2.8%)双侧听力障碍(PTA 0.5、1、2、3、4 kHz bb0 25 dB HL);4名小提琴手(3.7%)存在左单侧听力障碍。这一比率低于暴露在类似工业噪音中的预期风险。将这些听力测量结果与大约十年前的听力测量结果进行比较,发现研究组的听力阈值下降与老年性耳聋引起的听力阈值下降相当。结论:专业乐团音乐家噪声性听力损失的风险低于UNI ISO 1999:2015标准的预测。少数听力损失的情况下,由于慢性听觉创伤被注意到,特别是在小提琴家表现出较高的发生率左单侧听力损失。高水平的声音接触和一些听力损失病例的存在突出表明,需要在这项工作活动中采取有针对性的预防措施。
期刊介绍:
La Medicina del Lavoro is a bimonthly magazine founded in 1901 by L. Devoto, and then directed by L. Prieti, E. Vigliani, V. Foà, P.A. Bertazzi (Milan). Now directed by A. Mutti (Parma), the magazine is the official Journal of the Italian Society of Occupational Medicine (SIML), aimed at training and updating all professionals involved in prevention and cure of occupational diseases.