Digital history, revisionism and antifascism: charting a course

IF 0.6 3区 历史学 Q3 AREA STUDIES
Nicola Cacciatore, Igor Pizzirusso
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引用次数: 0

Abstract

Digital history represents an exciting avenue for scholars to both publish their findings and apply new research methodologies that include the public as a producer of historical knowledge. However, in the context of studies on the Second World War in Italy, and especially the antifascist Resistance, these types of productions remain rare. This situation is in stark contrast to the vast production of revisionist, pro-fascist or outright fascist materials produced by a plethora of non-scholar actors across the web. This contribution aims to present three different digital history projects tied by the theme of antifascism: the Atlante delle stragi naziste e fasciste, IF – Intellettuali in fuga dall’Italia fascista and Memorie in Cammino. Each of them covers a different timeframe or a different facet of the issue, but all are representatives of a new way forward in Italy concerning historical research and dissemination. This first part of the article focuses on the aforementioned issues and the first project, the Atlante delle stragi naziste e fasciste, while a second (to be published in the next issue of Modern Italy) will cover the remaining two.

数字历史、修正主义和反法西斯主义:绘制路线
数字历史为学者们提供了一条令人兴奋的途径,既可以发表他们的发现,又可以应用新的研究方法,其中包括将公众作为历史知识的生产者。然而,在研究意大利第二次世界大战,特别是反法西斯抵抗运动的背景下,这些类型的作品仍然很少见。这种情况与大量的修正主义、亲法西斯主义或彻头彻尾的法西斯主义材料形成鲜明对比,这些材料是由网络上大量的非学者演员制作的。本次展览旨在展示三个以反法西斯主义为主题的不同的数字历史项目:Atlante delle stragi naziste e fasciste, IF - intellectuali in fuga dall 'Italia fascista和memory in Cammino。它们都涵盖了不同的时间框架或问题的不同方面,但都代表了意大利在历史研究和传播方面的新发展方向。这篇文章的第一部分主要关注上述问题和第一个项目,即纳粹和法西斯的大西洋,而第二部分(将在下一期《现代意大利》中发表)将涵盖其余两个问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Modern Italy
Modern Italy Multiple-
CiteScore
0.90
自引率
20.00%
发文量
50
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