{"title":"Can DNN models simulate appearance variations of #TheDress?","authors":"Ichiro Kuriki, Hikari Saito, Rui Okubo, Hiroaki Kiyokawa, Takashi Shinozaki","doi":"10.1177/20416695251388577","DOIUrl":null,"url":null,"abstract":"<p><p>The color appearance of #TheDress image varies across individuals. The color of pixels in the image distributes mostly in blue-achromatic-yellow color direction, and so are the perceived color variations. One of the potential causes is differences in the degree of perceiving light-blue pixels as a part of white clothing under a skylight, referred to as \"blue bias.\" A deep neural network (DNN) application was used to simulate individual differences in blue bias, by varying the percentage of such scenes in the training-image set. A style-transfer DNN was used to simulate a \"color naming\" procedure by learning pairs of natural images and their color-name labels as pixel-by-pixel maps. The models trained with different ratio of blue-bias scenes were tested using the #TheDress image. The averaged results across trials showed a progressive change from blue/black to white (gray)/gold, indicating that exposure or attention to blue-bias scenes could have caused the individual differences in the color perception of #TheDress image. In an additional experiment, we manipulated the relative number of artificially blue- or yellow-tinted images, instead of varying the ratio of blue-bias scenes, to train the DNN. If the blue-bias scenes are equivalent with blue-tinted images of scenes taken under daylight, this manipulation should yield similar result. However, the resulting outputs did not produce a white/gold image at all. This suggests that exposure to skylight scenes alone is insufficient; the scenes must contain unequivocally white objects (such as snow, white clothing, or white road signs) in order to establish a \"blue bias\" in human observers.</p>","PeriodicalId":47194,"journal":{"name":"I-Perception","volume":"16 6","pages":"20416695251388577"},"PeriodicalIF":1.1000,"publicationDate":"2025-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC12589789/pdf/","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"I-Perception","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/20416695251388577","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"2025/11/1 0:00:00","PubModel":"eCollection","JCR":"Q2","JCRName":"PSYCHOLOGY, EXPERIMENTAL","Score":null,"Total":0}
引用次数: 0
Abstract
The color appearance of #TheDress image varies across individuals. The color of pixels in the image distributes mostly in blue-achromatic-yellow color direction, and so are the perceived color variations. One of the potential causes is differences in the degree of perceiving light-blue pixels as a part of white clothing under a skylight, referred to as "blue bias." A deep neural network (DNN) application was used to simulate individual differences in blue bias, by varying the percentage of such scenes in the training-image set. A style-transfer DNN was used to simulate a "color naming" procedure by learning pairs of natural images and their color-name labels as pixel-by-pixel maps. The models trained with different ratio of blue-bias scenes were tested using the #TheDress image. The averaged results across trials showed a progressive change from blue/black to white (gray)/gold, indicating that exposure or attention to blue-bias scenes could have caused the individual differences in the color perception of #TheDress image. In an additional experiment, we manipulated the relative number of artificially blue- or yellow-tinted images, instead of varying the ratio of blue-bias scenes, to train the DNN. If the blue-bias scenes are equivalent with blue-tinted images of scenes taken under daylight, this manipulation should yield similar result. However, the resulting outputs did not produce a white/gold image at all. This suggests that exposure to skylight scenes alone is insufficient; the scenes must contain unequivocally white objects (such as snow, white clothing, or white road signs) in order to establish a "blue bias" in human observers.