Effect of Foot Orientation on Landing Impact Forces Following a Drop Jump in Ballet Dancers.

IF 1.5 Q3 SPORT SCIENCES
Journal of Dance Medicine & Science Pub Date : 2026-09-01 Epub Date: 2025-10-02 DOI:10.1177/1089313X251359423
Evelyne Correia, Lucas H C C Dos Santos, Mateus S Dias, Rebeca C Romero, Luana P Souza, Sandra M S F Freitas, Paulo B de Freitas
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Abstract

Introduction: Jumping is a fundamental element of classical ballet, often performed with the feet turned out, in a position known as en dehors, achieved through hip external rotation. Experience level and impact attenuation strategies may play a crucial role in reducing injury risk during jump landings. This study aimed to investigate the impact during drop jump landings in en dehors versus parallel foot orientation in experienced ballet dancers. Method: Seventeen experienced ballet dancers (aged 18-31 years, with an average of 13 years of experience) and 15 controls (aged 20-32 years old) who were not dancers and did not engage in regular physical activity, participated in the study. Participants performed drop jumps from a 30 cm high block, landed on two force platforms, and immediately executed a maximum vertical jump with feet in en dehors position or parallel. Maximum vertical ground reaction force, time to reach this maximum, maximum rate of force development during drop landing, and maximum height of the jump performed immediately after drop landing were calculated and compared between groups and foot orientations. Results: Time to reach the maximum vertical ground reaction force was shorter in the en dehors compared to parallel foot orientation, with no significant group differences. Ballet dancers achieved higher vertical jumps after the drop landing compared to controls. Conclusions: Long-term classical ballet practice does not lead to lower impact landings in en dehors compared to parallel foot orientation. Ballet dancers may take more advantage of the impact and rebounding for performing the subsequent vertical jump.

芭蕾舞者落体跳后足部方向对落地冲击力的影响。
简介:跳跃是古典芭蕾的一个基本元素,通常在表演时双脚向外,在一个被称为en dehors的位置,通过髋关节外旋来实现。经验水平和冲击衰减策略可能在减少跳跃着陆时受伤风险方面起着至关重要的作用。本研究旨在探讨经验丰富的芭蕾舞者在10小时内起跳着地时与平行足部方向的影响。方法:17名经验丰富的芭蕾舞者(年龄18-31岁,平均13年经验)和15名对照组(年龄20-32岁),他们不是舞蹈演员,也没有定期进行体育锻炼。参与者从一个30厘米高的积木上跳下,落在两个作用力平台上,并立即以双脚保持原地或平行的姿势完成最大垂直跳跃。计算并比较各组和足部方向之间的最大垂直地面反作用力、达到该最大值的时间、落体落地过程中的最大力发展速率以及落体落地后立即跳起的最大高度。结果:与平行足向相比,足向运动时达到最大垂直地面反力的时间更短,组间差异无统计学意义。与控制组相比,芭蕾舞者在降落后实现了更高的垂直跳跃。结论:长期的古典芭蕾练习与平行足位相比,并不会导致更低的着地冲击力。芭蕾舞者可以更多地利用冲击和反弹来进行随后的垂直跳跃。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
11.10%
发文量
33
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