Melissa Carolee Brown, Reyna Rajkumar, Kaitlin Webster
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引用次数: 0
Abstract
This study examines how women of color on TikTok engage with the viral “outfit transition” trend to assert ethnic pride, resist cultural assimilation, and build digital communities. Our research builds on literature exploring TikTok’s affordances and digital fashion culture, focusing on how women of color use the application to challenge aesthetic assimilation and celebrate ethnocultural identity. Using critical technocultural discourse analysis (CTDA) and digital ethnography, we analyzed 63 TikTok videos to explore how audiovisual features (e.g., audio, hashtags, and comments) enable marginalized creators to challenge western aesthetic dominance. The findings reveal that women of color strategically use TikTok to construct a subaltern digital commons, celebrating ethnic pride while fostering solidarity across diaspora communities. These creators promote cross-cultural engagement by inviting non-ethnic viewers to learn about and respectfully engage with their cultures on their terms. This study expands on studies of digital fashion culture to show how TikTok’s outfit transition trend functions as an online space to resist Eurocentric beauty standards while centering non-white femininities and cultural aesthetics. In addition, our analysis sheds light on how these creators navigate algorithmic biases that often limit visibility for marginalized groups. Women of color creatively rework viral trends to enhance their visibility, asserting control over how they and their communities are represented online. Ultimately, the study underscores TikTok’s potential as a site for community building and intercultural exchange, where women of color challenge colonial legacies in fashion while sustaining digital spaces for ethnocultural uplift.
期刊介绍:
Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.