Fashioning Ethnic Pride: Women of Color and the Outfit Transition Trend on TikTok

IF 4.9 1区 文学 Q1 COMMUNICATION
Melissa Carolee Brown, Reyna Rajkumar, Kaitlin Webster
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Abstract

This study examines how women of color on TikTok engage with the viral “outfit transition” trend to assert ethnic pride, resist cultural assimilation, and build digital communities. Our research builds on literature exploring TikTok’s affordances and digital fashion culture, focusing on how women of color use the application to challenge aesthetic assimilation and celebrate ethnocultural identity. Using critical technocultural discourse analysis (CTDA) and digital ethnography, we analyzed 63 TikTok videos to explore how audiovisual features (e.g., audio, hashtags, and comments) enable marginalized creators to challenge western aesthetic dominance. The findings reveal that women of color strategically use TikTok to construct a subaltern digital commons, celebrating ethnic pride while fostering solidarity across diaspora communities. These creators promote cross-cultural engagement by inviting non-ethnic viewers to learn about and respectfully engage with their cultures on their terms. This study expands on studies of digital fashion culture to show how TikTok’s outfit transition trend functions as an online space to resist Eurocentric beauty standards while centering non-white femininities and cultural aesthetics. In addition, our analysis sheds light on how these creators navigate algorithmic biases that often limit visibility for marginalized groups. Women of color creatively rework viral trends to enhance their visibility, asserting control over how they and their communities are represented online. Ultimately, the study underscores TikTok’s potential as a site for community building and intercultural exchange, where women of color challenge colonial legacies in fashion while sustaining digital spaces for ethnocultural uplift.
塑造民族自豪感:抖音上的有色人种女性和服装转换趋势
这项研究考察了抖音上的有色人种女性如何参与病毒式的“换装”趋势,以维护种族自豪感,抵制文化同化,并建立数字社区。我们的研究建立在探索TikTok的功能和数字时尚文化的文献基础上,重点关注有色人种女性如何使用该应用程序挑战审美同化和庆祝民族文化认同。利用批判性技术文化话语分析(CTDA)和数字民族志,我们分析了63个TikTok视频,以探索视听特征(如音频、话题标签和评论)如何使边缘化的创作者挑战西方审美主导地位。研究结果显示,有色人种女性战略性地使用TikTok来构建一个次等的数字公地,在庆祝种族自豪感的同时促进散居社区的团结。这些创作者通过邀请非种族观众了解并尊重他们的文化来促进跨文化交流。本研究扩展了对数字时尚文化的研究,展示了TikTok的服装转换趋势如何作为一个在线空间,在以非白人女性和文化美学为中心的同时,抵制以欧洲为中心的审美标准。此外,我们的分析还揭示了这些创作者如何应对算法偏见,这些偏见往往限制了边缘化群体的可见度。有色人种女性创造性地重新设计了病毒式传播趋势,以提高她们的知名度,主张控制她们和她们的社区在网上的表现。最终,这项研究强调了TikTok作为社区建设和跨文化交流网站的潜力,有色人种女性在这里挑战时尚领域的殖民遗产,同时为民族文化提升维持数字空间。
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来源期刊
Social Media + Society
Social Media + Society COMMUNICATION-
CiteScore
9.20
自引率
3.80%
发文量
111
审稿时长
12 weeks
期刊介绍: Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.
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