Jeffrey A Russell, Mychelle Berry, Todd Richardson, Janet E Simon
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引用次数: 0
Abstract
Background: Sports concussion receives heavy attention from researchers. Conversely, research devoted to performing arts concussion is scant, despite a variety of head injury opportunities in artistic endeavors and environments. Circus is a high-energy, high-velocity performing art for which minimal concussion research is available.
Purpose: Assess via medical records the 10-year concussion incidence in Cirque du Soleil (CdS) performers and the variables surrounding their concussions.
Study design: Descriptive epidemiology.
Level of evidence: Level 5.
Methods: Data were extracted from CdS performers' medical records for 2010 to 2019: sex, age at injury, performance type, artistic discipline, mechanism of injury, performance context, and time-loss from full participation. Yearly artist-exposures for all CdS artists were identified. Data were analyzed for both resident and touring shows.
Results: Over 10 years there were 2,733,073 exposures, with 354 concussions sustained among 296 performers. Acrobats were the most commonly concussed (82.8% of all concussions). There were 1.30 concussions per 10,000 artist-exposures. Repeat concussions accounted for 58 concussions (16.4%). Full return to performance occurred at a mean of 35.5 ± 100.3 days. The highest rate of concussions was in 2019 (1.93 per 10,000 artist-exposures); 2010 had the lowest (0.86 per 10,000 artist-exposures). More concussions occurred during performances than training sessions; nearly half (170 of 354) occurred during the first of 2 shows presented nightly. There was no significant difference in overall incidence between resident and touring performers. The most frequent concussion mechanisms were impact with apparatus/equipment (113 of 354) or with another artist (106 of 354).
Conclusion: The concussion incidence of CdS artists is noteworthy compared with sports concussions. Acrobats sustained the most concussions. Concussions occurred more frequently during performances than during training.
Clinical relevance: These new data on performing arts concussions highlight the prevalence and incidence of concussions in circus performers for healthcare professionals who care for them.
背景:运动脑震荡受到研究者的高度关注。相反,尽管在艺术活动和环境中有各种各样的头部受伤机会,但对表演艺术脑震荡的研究却很少。马戏是一种高能量,高速的表演艺术,对脑震荡的研究是最小的。目的:通过医疗记录评估太阳马戏(Cirque du Soleil, cd)表演者10年脑震荡发生率及其相关变量。研究设计:描述性流行病学。证据等级:5级。方法:从2010年至2019年cd表演者的医疗记录中提取数据:性别、受伤年龄、表演类型、艺术学科、受伤机制、表演情境、全员参与时间损失。确定了所有cd艺术家的年度艺术家曝光率。研究人员分析了本地和巡回演出的数据。结果:在10年的时间里,296名表演者有2733073次暴露,其中354次发生脑震荡。杂技演员是最常见的脑震荡(占所有脑震荡的82.8%)。每10000名艺术家曝光中有1.30人脑震荡。重复脑震荡58例(16.4%)。完全恢复工作能力平均为35.5±100.3天。脑震荡率最高的是2019年(每10,000名艺术家中有1.93名);2010年是最低的(每10000名艺术家曝光0.86次)。演出期间脑震荡的发生率高于训练期间;近一半(354个中的170个)发生在每晚两场演出的第一场。总体发病率在驻场表演者和巡回表演者之间没有显著差异。最常见的脑震荡机制是器械/设备撞击(354例中有113例)或与其他艺人撞击(354例中有106例)。结论:与运动性脑震荡相比,cd艺人的脑震荡发生率值得注意。杂技演员遭受最多的脑震荡。脑震荡在表演中比在训练中发生得更频繁。临床相关性:这些关于表演艺术脑震荡的新数据为照顾他们的医疗保健专业人员强调了马戏团表演者脑震荡的患病率和发病率。
期刊介绍:
Sports Health: A Multidisciplinary Approach is an indispensable resource for all medical professionals involved in the training and care of the competitive or recreational athlete, including primary care physicians, orthopaedic surgeons, physical therapists, athletic trainers and other medical and health care professionals.
Published bimonthly, Sports Health is a collaborative publication from the American Orthopaedic Society for Sports Medicine (AOSSM), the American Medical Society for Sports Medicine (AMSSM), the National Athletic Trainers’ Association (NATA), and the Sports Physical Therapy Section (SPTS).
The journal publishes review articles, original research articles, case studies, images, short updates, legal briefs, editorials, and letters to the editor.
Topics include:
-Sports Injury and Treatment
-Care of the Athlete
-Athlete Rehabilitation
-Medical Issues in the Athlete
-Surgical Techniques in Sports Medicine
-Case Studies in Sports Medicine
-Images in Sports Medicine
-Legal Issues
-Pediatric Athletes
-General Sports Trauma
-Sports Psychology