Struggling with pictures in the early Académie royale des sciences: The case of Giovanni Domenico Cassini's Grand Selenography (1679).

IF 0.5 4区 哲学 Q2 Arts and Humanities
Antoine Gallay
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引用次数: 0

Abstract

In 1679, the astronomer Giovanni Domenico Cassini published a large print detailing the entire visible surface of the moon with unprecedented meticulousness. This Grand Selenography is undoubtedly one of the most spectacular pictures ever produced within the Académie royale des sciences. However, it has remained widely neglected by historians up to now. This study offers the first account of the making and early reception of the print. It argues that the Grand Selenography remains uncompleted because it failed to satisfy Cassini and his contemporaries. Furthermore, its history allows us to shed new light on the range of issues that scientific pictures might have raised during Louis XIV's reign.

在早期皇家科学院的绘画中挣扎:乔瓦尼·多梅尼科·卡西尼的《大硒图》(1679)。
1679年,天文学家乔瓦尼·多梅尼科·卡西尼(Giovanni Domenico Cassini)发表了一幅巨幅版画,以前所未有的一丝不苟详细描绘了月球的整个可见表面。这幅《大硒图》无疑是皇家科学院拍摄的最壮观的照片之一。然而,它至今仍被历史学家广泛忽视。这项研究提供了版画的制作和早期接收的第一个帐户。它认为,《大月球图》之所以尚未完成,是因为它未能让卡西尼和他的同时代人满意。此外,它的历史让我们对路易十四统治时期科学图片可能引发的一系列问题有了新的认识。
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来源期刊
Science in Context
Science in Context 综合性期刊-科学史与科学哲学
CiteScore
0.80
自引率
0.00%
发文量
1
审稿时长
>12 weeks
期刊介绍: Science in Context is an international journal edited at The Cohn Institute for the History and Philosophy of Science and Ideas, Tel Aviv University, with the support of the Van Leer Jerusalem Institute. It is devoted to the study of the sciences from the points of view of comparative epistemology and historical sociology of scientific knowledge. The journal is committed to an interdisciplinary approach to the study of science and its cultural development - it does not segregate considerations drawn from history, philosophy and sociology. Controversies within scientific knowledge and debates about methodology are presented in their contexts.
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