[Escape from Personality: The Life, Work, and Illness of John Berryman].

Q4 Medicine
Psychiatria Hungarica Pub Date : 2025-01-01
József Gerevich
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引用次数: 0

Abstract

The psychobiographical analysis of John Berryman's life story aims to bridge the gap between his life's work and his life story; to shed light on the psychological background of his dream songs and other poems, to make his confession intelligible, and to explore whether his psychiatric-dictatorial illness contributed to the genesis and thematic content of his works. It was also questioned whether his literary activity influenced his illness in any direction. The compulsive recollection of his father's suicide was a significant source of motivation for the creation of many of his poems. He was in conflict with his mother over the death of his father. His attachment phobia was due to the traumatogenic influence of his parents; he was unable to dissolve with his wife in any of his three marriages. Although his poetry became more precise as he grew older, his poetry did not contribute to an effective elaboration of early trauma. Part of the reason for this was that he saw literary creation as an escape from his personality, not as an expression of himself. His personality was characterised by a fatal attraction to self-destruction. The dichotomy of the boisterous and the quiet Berryman runs through his biography, until at the end of his life his boisterousness gradually disappeared. From the life history data, the dynamics of a progressive, increasingly severe alcoholism emerge. Alcohol helped him to escape from his personality and to maintain the proximity to death that drove his creativity. His alcoholism and his poetry grew out of the same roots, drinking and writing dream songs were two manifestations of the same compulsion. Her illness was dominated by the self-destructive triad (trait-aggression, bipolar illness, addiction) observed in Sylvia Plath, Robert Lowell and Ann Sexton. At the end of his life, he was converted in AA and came closer to the image of God he had constructed. He only got to the fourth of the twelve steps of AA. His unresolved traumas, alco holism and the lyricism of near death contributed to his suicide. Berryman's literary self-revelations shared with his readers behaviours, fantasies and biographical events that are usually surrounded by a sense of shame. In this sense, many of his poems can be seen as confessional.

[逃避个性:约翰·贝里曼的生活、工作和疾病]。
对约翰·贝里曼生平故事的心理传记分析,旨在弥合他生平作品与生平故事之间的鸿沟;揭示他的梦歌和其他诗歌的心理背景,使他的自白更容易理解,并探讨他的精神独裁疾病是否影响了他作品的起源和主题内容。人们还质疑他的文学活动是否在任何方面影响了他的病情。对父亲自杀的强迫性回忆是他创作许多诗歌的重要动力来源。在父亲的死的问题上,他与母亲发生了争执。他的依恋恐惧症是由于父母的创伤性影响;在他的三段婚姻中,他都未能与妻子离婚。尽管随着年龄的增长,他的诗歌变得更加精确,但他的诗歌并没有对早期的创伤做出有效的阐述。部分原因是,他认为文学创作是对自己个性的一种逃避,而不是对自己的表达。他的个性特点是有致命的自我毁灭倾向。喧闹和安静的贝里曼的二分法贯穿了他的传记,直到他生命的最后,他的喧闹逐渐消失。从生活史数据,一个渐进的,日益严重的酒精中毒的动态出现。酒精帮助他从自己的个性中解脱出来,让他保持与死亡的接近,而这正是他创作的动力。他的酗酒和他的诗歌有着同样的根源,喝酒和写梦歌是同一种强迫症的两种表现。她的疾病主要是自我毁灭的三联征(特质-攻击,躁郁症,成瘾),在西尔维娅·普拉斯,罗伯特·洛厄尔和安·塞克斯顿身上观察到。在他生命的最后,他皈依了嗜酒互诫会,更接近他所塑造的上帝形象。他只走到了AA十二步中的第四步。他未解决的创伤,不完整和濒死的抒情促成了他的自杀。贝里曼的文学自我启示与他的读者分享行为,幻想和传记事件,通常被羞耻感所包围。从这个意义上说,他的许多诗歌可以被视为忏悔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Psychiatria Hungarica
Psychiatria Hungarica Medicine-Medicine (all)
CiteScore
0.40
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