Inside the piano studio: What teachers say about performance training, perfectionism, and performance anxiety

IF 1.6 3区 心理学 0 MUSIC
Charlene Ryan, Jessica Tsang, Diana Dumlavwalla
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Abstract

Music performance anxiety (MPA) is a common experience among musicians of all ages. However, young pianists have indicated receiving limited performance training or effective MPA support from their teachers. As these findings do not reflect teacher perspectives, this study was designed to provide a fuller picture of piano training. Two hundred thirty-seven piano teachers from across Canada and the United States participated in an online survey, comprising both open- and closed-ended questions, to gauge their pedagogy regarding performance training, perfectionism, and MPA. While the majority of participants reported that students have expressed MPA concerns to them, many noted that they only discuss the issue when students raise it. Virtually all teachers reported that they teach students what to do on stage and how to address performance challenges—in particular memory lapses. Most believe there is a distinction between teaching to play and teaching to perform, yet only 58% said they offer studio classes and 37% hold dress rehearsals. Participants noted a focus on excellence, not perfection, in their pedagogy, but many acknowledged that perfection is an expectation within the field. Comparisons with previous findings on piano students and implications for educators are discussed.
钢琴工作室内部:老师们对演奏训练、完美主义和演奏焦虑的看法
音乐表演焦虑(MPA)是各个年龄段音乐家的共同经历。然而,年轻的钢琴家表示,他们从老师那里得到的表演培训或有效的MPA支持有限。由于这些发现并不能反映教师的观点,本研究旨在提供钢琴训练的更全面的图景。来自加拿大和美国的237名钢琴教师参与了一项在线调查,包括开放式和封闭式问题,以评估他们在演奏训练、完美主义和MPA方面的教学方法。虽然大多数参与者报告说,学生们向他们表达了MPA的担忧,但许多人指出,他们只在学生提出这个问题时才讨论这个问题。几乎所有的老师都报告说,他们教学生在舞台上做什么,以及如何应对表演上的挑战——尤其是记忆失误。大多数人认为教演奏和教表演是有区别的,但只有58%的人说他们提供工作室课程,37%的人进行彩排。参与者指出,他们的教学注重卓越,而不是完美,但许多人承认,完美是该领域的一种期望。本文讨论了与以往研究结果的比较以及对教育工作者的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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