Long-term musical training modulates the body model.

IF 1.8 4区 心理学 Q3 BIOPHYSICS
Lara A Coelho, Claudia L R Gonzalez
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引用次数: 0

Abstract

Despite constantly performing actions with their hands, healthy individuals display distorted hand representations. These distortions have been found in a body representation called 'the body model', which plays a fundamental role in position sense. There is a growing number of studies showing that changes in this representation may optimize performance in certain skills (e.g., magicians, baseball players). This has led to the hypothesis that the distortions may facilitate our actions. One highly trained group of individuals that rely on an accurate position sense about the fingers, are piano players. However, musicians have yet to be studied in the body model task. Therefore, we recruited a group of expert piano players (average practice time 12.85 h/week, average years playing 16.22 ± 3.6) and an age- and sex-matched control group. We hypothesized that piano players would have more accurate hand representation, as precise finger location knowledge is essential for skilled piano performance. Our results showed that piano players were significantly more accurate at estimating hand width compared to the controls; in fact, their estimates of this measure were not different than their physical size. This supports our hypothesis and suggests that the need for more accurate localization of the fingertips when playing may result in a more accurate estimate of hand width in the body model task. There was, however, no difference between the groups for finger length, as both piano and control groups significantly underestimated this measure. This result may reflect the typical position of the hands while playing piano, as the fingers are kept curved to aid proper technique. Taken together, our results support the hypothesis that distortions may in fact facilitate our actions.

长期的音乐训练可以调节身体模式。
尽管经常用手做动作,健康的人表现出扭曲的手表征。这些扭曲存在于一种叫做“身体模型”的身体表征中,它在位置感中起着重要作用。越来越多的研究表明,这种表征的变化可能会优化某些技能的表现(例如,魔术师,棒球运动员)。这导致了一种假设,即扭曲可能会促进我们的行动。钢琴演奏者是一群训练有素的人,他们依靠对手指的精确位置感。然而,音乐家在身体模型任务中还没有被研究过。因此,我们招募了一组钢琴专家(平均练习时间12.85小时/周,平均弹奏时间16.22±3.6年)和一个年龄和性别匹配的对照组。我们假设钢琴演奏者会有更准确的手部表现,因为精确的手指位置知识对于熟练的钢琴演奏至关重要。我们的研究结果表明,与对照组相比,钢琴演奏者在估计手宽方面明显更准确;事实上,他们对这一测量的估计与他们的实际尺寸并没有什么不同。这支持了我们的假设,并表明弹奏时需要更精确的指尖定位,这可能会导致在身体模型任务中更准确地估计手的宽度。然而,两组之间的手指长度没有差异,因为钢琴组和对照组都明显低估了这一指标。这个结果可能反映了弹钢琴时手的典型位置,因为手指保持弯曲以帮助正确的技术。综上所述,我们的研究结果支持这样一个假设,即扭曲实际上可能促进我们的行动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Multisensory Research
Multisensory Research BIOPHYSICS-PSYCHOLOGY
CiteScore
3.50
自引率
12.50%
发文量
15
期刊介绍: Multisensory Research is an interdisciplinary archival journal covering all aspects of multisensory processing including the control of action, cognition and attention. Research using any approach to increase our understanding of multisensory perceptual, behavioural, neural and computational mechanisms is encouraged. Empirical, neurophysiological, psychophysical, brain imaging, clinical, developmental, mathematical and computational analyses are welcome. Research will also be considered covering multisensory applications such as sensory substitution, crossmodal methods for delivering sensory information or multisensory approaches to robotics and engineering. Short communications and technical notes that draw attention to new developments will be included, as will reviews and commentaries on current issues. Special issues dealing with specific topics will be announced from time to time. Multisensory Research is a continuation of Seeing and Perceiving, and of Spatial Vision.
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