{"title":"‘The solid reality of a piece of ore’: Guernica (Alain Resnais and Robert Hessens) and Bazinian realism","authors":"Tamara Trodd","doi":"10.1080/26438941.2025.2500172","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":"1-24"},"PeriodicalIF":0.2000,"publicationDate":"2025-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2025.2500172","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}