Alberta Silvestri , Sarah Maltoni , Manuela Gianandrea , Chiara Croci
{"title":"Once upon a glass mosaic in the apse of S. Sabina’s Basilica in Rome. Interdisciplinary study of a Late Antique/Medieval lost decoration","authors":"Alberta Silvestri , Sarah Maltoni , Manuela Gianandrea , Chiara Croci","doi":"10.1016/j.culher.2025.05.001","DOIUrl":null,"url":null,"abstract":"<div><div>The present interdisciplinary study examines the glass tesserae from the apse mosaic of <em>S. Sabina</em>, part of a wider research project on Early Medieval wall paintings and mosaics in Rome. The tesserae in different green shades (pale green, green and dark green), the sole remnants of the original mosaic now lost and replaced by 16th-century frescoes, were analysed using various techniques (OM, SEM-EDS, EPMA, XRPD) to identify raw materials and production technologies, aiming to date the mosaic (5th, 9th, or 12th century AD).</div><div>The analyses identified various glassy matrices, comparable to known compositional groups such as 'Roman', 'HIMT', 'Foy 2.1′, and 'Foy 3.2′, as well as opacifiers/pigments like lead antimonate and lead stannate. These results indicate that the green and most pale green tesserae were specifically produced for this mosaic. The dark green tesserae show greater variability, suggesting the reuse and recycling of pre-existing materials. The archaeometric analyses support a dating between the 5th and 9th centuries AD, aligning with art-historical assessments.</div><div>The comparison with the 5th-century AD counter-façade mosaic of <em>S. Sabina</em> revealed significant differences in the composition of the glass matrices and opacifiers/pigments, indicating that the counter-façade mosaic was primarily made from reused tesserae. Comparisons with green tesserae of other Roman mosaics highlighted a general trend of recycling and reusing tesserae, except for the 7th-century AD <em>S. Agnese fuori le mura</em> mosaic, where newly produced and reused tesserae coexisted. These data reinforce the hypothesis of a 5th to 9th-century AD dating for the <em>S. Sabina</em> apse mosaic, providing new insights into the production and use of glass tesserae in Late Antique and Early Medieval Rome.</div></div>","PeriodicalId":15480,"journal":{"name":"Journal of Cultural Heritage","volume":"74 ","pages":"Pages 1-11"},"PeriodicalIF":3.5000,"publicationDate":"2025-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cultural Heritage","FirstCategoryId":"103","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S1296207425000937","RegionNum":2,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
The present interdisciplinary study examines the glass tesserae from the apse mosaic of S. Sabina, part of a wider research project on Early Medieval wall paintings and mosaics in Rome. The tesserae in different green shades (pale green, green and dark green), the sole remnants of the original mosaic now lost and replaced by 16th-century frescoes, were analysed using various techniques (OM, SEM-EDS, EPMA, XRPD) to identify raw materials and production technologies, aiming to date the mosaic (5th, 9th, or 12th century AD).
The analyses identified various glassy matrices, comparable to known compositional groups such as 'Roman', 'HIMT', 'Foy 2.1′, and 'Foy 3.2′, as well as opacifiers/pigments like lead antimonate and lead stannate. These results indicate that the green and most pale green tesserae were specifically produced for this mosaic. The dark green tesserae show greater variability, suggesting the reuse and recycling of pre-existing materials. The archaeometric analyses support a dating between the 5th and 9th centuries AD, aligning with art-historical assessments.
The comparison with the 5th-century AD counter-façade mosaic of S. Sabina revealed significant differences in the composition of the glass matrices and opacifiers/pigments, indicating that the counter-façade mosaic was primarily made from reused tesserae. Comparisons with green tesserae of other Roman mosaics highlighted a general trend of recycling and reusing tesserae, except for the 7th-century AD S. Agnese fuori le mura mosaic, where newly produced and reused tesserae coexisted. These data reinforce the hypothesis of a 5th to 9th-century AD dating for the S. Sabina apse mosaic, providing new insights into the production and use of glass tesserae in Late Antique and Early Medieval Rome.
目前的跨学科研究检查了S. Sabina后殿马赛克的玻璃镶嵌,这是对罗马早期中世纪壁画和马赛克的更广泛研究项目的一部分。不同绿色色调(淡绿色、绿色和深绿色)的马赛克是原始马赛克的唯一遗迹,现在已经丢失,取而代之的是16世纪的壁画。研究人员使用各种技术(OM、SEM-EDS、EPMA、XRPD)对马赛克进行了分析,以确定原材料和生产技术,旨在确定马赛克的年代(公元5世纪、9世纪或12世纪)。分析发现了各种玻璃状基质,可与已知的组成基团相媲美,如“Roman”、“HIMT”、“Foy 2.1”和“Foy 3.2”,以及不透明剂/颜料,如锑酸铅和锡酸铅。这些结果表明,绿色和大多数淡绿色的马赛克是专门为这种马赛克生产的。深绿色的镶嵌图案显示出更大的可变性,表明对原有材料的再利用和再循环。考古分析支持公元5世纪到9世纪之间的年代,与艺术历史评估一致。与公元5世纪S. Sabina的反farade马赛克的比较显示,玻璃基质和不透明剂/颜料的组成存在显著差异,表明反farade马赛克主要由重复使用的tesserae制成。与其他罗马马赛克的绿色镶嵌相比,突出了回收和再利用镶嵌的总体趋势,除了公元7世纪的Agnese fuori le mura马赛克,新生产的镶嵌和再利用的镶嵌并存。这些数据加强了S. Sabina后殿马赛克的公元5世纪至9世纪的假设,为古代晚期和中世纪早期罗马玻璃镶嵌的生产和使用提供了新的见解。
期刊介绍:
The Journal of Cultural Heritage publishes original papers which comprise previously unpublished data and present innovative methods concerning all aspects of science and technology of cultural heritage as well as interpretation and theoretical issues related to preservation.