{"title":"Culture machine: How MetaCLIP codifies culture","authors":"Luke Munn, Adarsh Badri","doi":"10.1177/14614448251336429","DOIUrl":null,"url":null,"abstract":"How is the cultural made computational? CLIP models are a recent artificial intelligence (AI) innovation which train on massive amounts of Internet data in order to align language and image, deploying this ‘grasp’ of cultural concepts to understand prompts, classify images and carry out tasks. To critically investigate this cultural codification, we explore MetaCLIP, a recent variation developed by Meta. We analyse the model’s metadata, a single file of 500,000 terms that aims to achieve a ‘balanced distribution’ or sufficiently broad understanding of concepts. We show how this model assembles histories, languages, ideologies and media artefacts into a kind of cultural knowledge. We argue this codification fuses the ancient technique of the <jats:italic>list</jats:italic> with a more recent technique of <jats:italic>latent space</jats:italic> . We conclude by framing these technologies as <jats:italic>cultural machines</jats:italic> that exert power in defining and operationalising a particular understanding of ‘culture’ invisibly and at scale.","PeriodicalId":19149,"journal":{"name":"New Media & Society","volume":"31 1","pages":""},"PeriodicalIF":4.5000,"publicationDate":"2025-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Media & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/14614448251336429","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
How is the cultural made computational? CLIP models are a recent artificial intelligence (AI) innovation which train on massive amounts of Internet data in order to align language and image, deploying this ‘grasp’ of cultural concepts to understand prompts, classify images and carry out tasks. To critically investigate this cultural codification, we explore MetaCLIP, a recent variation developed by Meta. We analyse the model’s metadata, a single file of 500,000 terms that aims to achieve a ‘balanced distribution’ or sufficiently broad understanding of concepts. We show how this model assembles histories, languages, ideologies and media artefacts into a kind of cultural knowledge. We argue this codification fuses the ancient technique of the list with a more recent technique of latent space . We conclude by framing these technologies as cultural machines that exert power in defining and operationalising a particular understanding of ‘culture’ invisibly and at scale.
期刊介绍:
New Media & Society engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research. The journal includes contributions on: -the individual and the social, the cultural and the political dimensions of new media -the global and local dimensions of the relationship between media and social change -contemporary as well as historical developments -the implications and impacts of, as well as the determinants and obstacles to, media change the relationship between theory, policy and practice.