Aerosol emission, transmission, and mitigation from performing singing and wind instruments.

IF 1.5 4区 医学 Q4 ENVIRONMENTAL SCIENCES
Jun Wang, John Singletary, Tiina Reponen, Sergey Grinshpun, Michael Yermakov, James Bunte
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引用次数: 0

Abstract

During the COVID-19 pandemic, concerns about potential airborne virus transmission and exposure during musical performances were raised. Past studies suggest that aerosols are emitted from exhaling and talking with varying magnitudes. Meanwhile, little was known about aerosol emissions from singing and playing wind instruments. The objective of this study was to examine the spatial and temporal build-up of aerosol concentration in a typical studio room where singing, talking, and playing wind instruments are involved, to represent musical practicing and teaching scenarios at the University of Cincinnati College-Conservatory of Music (CCM). Four condensation particle counters were strategically placed throughout a room at various distances from the performer. Besides singing, musical professionals played seven instruments (clarinet, flute, French horn, saxophone, trombone, trumpet, and tuba). Two types of tests were conducted for each instrument: 10 min of playing and 10 min of combined playing and talking to mimic the teaching session. The results show that singing increased aerosol concentration to 3.9 × 103 cm-3 at the performing point, more than double the background (1.2 × 103 cm-3). Most wind instruments had minimal but detectable emission of aerosols over time, suggesting instruments could provide wall deposition for aerosols compared to singing. Particle concentrations decreased further from the performing point; however, they were still detectable over the background level at 10 feet away. Use of a portable high-efficiency particulate air (HEPA) filtration reduced aerosol concentrations developed during musical performances to below background level. These findings suggest that there are risks associated with aerosolized transmission of infectious agents such as SARS-CoV-2 from musical performance if the performer is infected. Distancing beyond the 6 ft distancing recommendation and proper room and local ventilation combined with disinfecting procedures are needed to minimize the risk of exposure to infectious aerosols.

演唱和管乐器产生的气溶胶排放、传播和减缓。
在2019冠状病毒病大流行期间,人们提出了对可能通过空气传播和在音乐表演期间接触病毒的担忧。过去的研究表明,气溶胶是由呼气和说话释放出来的,大小不一。与此同时,人们对唱歌和吹奏管乐器产生的气溶胶排放知之甚少。本研究的目的是研究在一个典型的演播室里气溶胶浓度的时空累积,在这个演播室里,唱歌、说话和吹奏管乐器都涉及到,以代表辛辛那提大学音乐学院(CCM)的音乐练习和教学场景。四个冷凝粒子计数器策略性地放置在房间内与表演者的不同距离上。除了唱歌,音乐专业人士还会演奏七种乐器(单簧管、长笛、圆号、萨克斯、长号、小号和大号)。每种乐器都进行了两种类型的测试:10分钟的演奏和10分钟的演奏和谈话组合,以模拟教学过程。结果表明,唱歌使表演点的气溶胶浓度增加到3.9 × 103 cm-3,是背景(1.2 × 103 cm-3)的两倍多。随着时间的推移,大多数管乐器的气溶胶排放量很小,但可以检测到,这表明与唱歌相比,管乐器可以为气溶胶提供壁上沉积。颗粒浓度从执行点开始进一步降低;然而,在10英尺远的背景水平上,它们仍然可以被探测到。使用便携式高效微粒空气(HEPA)过滤器可将音乐表演期间产生的气溶胶浓度降至背景水平以下。这些发现表明,如果表演者被感染,音乐表演中的传染性病原体(如SARS-CoV-2)的雾化传播存在风险。需要保持超过6英尺的距离,适当的房间和局部通风,并结合消毒程序,以最大限度地减少接触传染性气溶胶的风险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Occupational and Environmental Hygiene
Journal of Occupational and Environmental Hygiene 环境科学-公共卫生、环境卫生与职业卫生
CiteScore
3.30
自引率
10.00%
发文量
81
审稿时长
12-24 weeks
期刊介绍: The Journal of Occupational and Environmental Hygiene ( JOEH ) is a joint publication of the American Industrial Hygiene Association (AIHA®) and ACGIH®. The JOEH is a peer-reviewed journal devoted to enhancing the knowledge and practice of occupational and environmental hygiene and safety by widely disseminating research articles and applied studies of the highest quality. The JOEH provides a written medium for the communication of ideas, methods, processes, and research in core and emerging areas of occupational and environmental hygiene. Core domains include, but are not limited to: exposure assessment, control strategies, ergonomics, and risk analysis. Emerging domains include, but are not limited to: sensor technology, emergency preparedness and response, changing workforce, and management and analysis of "big" data.
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