Chimpanzee drumming shows rhythmicity and subspecies variation.

Abstract

Rhythmic percussion is present across human cultures and has been proposed as one of the earliest evolved forms of musical expression.¹ Key features of human rhythmic percussion include individual and regional variation, as well as structural features widespread across musical cultures, such as the use of non-random timing and isochrony (i.e., evenly spaced note onsets).^2,3,4,5 Comparative studies of drumming in our ape relatives contribute to understanding the evolutionary origins of human rhythmic percussion. In this context, large, diverse datasets allow testing for species-level universals and regional variation. Chimpanzees and bonobos, like humans, drum on instrumental substrates.^2,6,7,8,9 Wild chimpanzees drum on resonant tree buttresses, showing individual variation during traveling and resting contexts, and often integrate drumming into their long-distance pant-hoot vocalizations.^6,7,8 But whether wild chimpanzee drumming shows structural musical features and regional variation in rhythm or in its integration within pant-hoots remains unknown. We show that wild chimpanzees drum with non-random timing and isochrony, providing evidence that rhythmic drumming on instrumental substrates may have been present in our last common ancestor.² Furthermore, we found subspecies-level regional rhythmic variation, showing that western chimpanzees drum isochronously, while eastern chimpanzees drum by alternating shorter and longer inter-hit intervals. Western chimpanzees also produce more drumming hits, drum at a faster tempo, and integrate drumming earlier in the pant-hoot vocalization, typically during the rhythmic build-up phase. Chimpanzee buttress drumming shows both species-level structural features of human musicality and stable subspecies regional differences across diverse ecologies.