{"title":"Solving ‘The Six’: EastEnders , convergence culture, and ‘forensic fandom’","authors":"Rebecca Williams","doi":"10.1177/17496020251339398","DOIUrl":null,"url":null,"abstract":"This article focuses on <jats:italic>EastEnders</jats:italic> ’ fan responses to the storyline known as ‘The Six’, which began with a flash-forward in an episode aired in February 2023 and involves six female characters faced with a dead body in the local pub, The Queen Vic. It argues that ‘The Six’ can be read as a form of ‘event television’ which highlights the show’s attempts to innovate within the soap genre, to set up a core narrative enigma which fans could attempt to ‘work out’, and to enable fans to maintain existing attachments to the series’ characters. The article thus considers how this offered a form of ‘forensic fandom’ that brought reading modes such as looking for evidence within episodes and in paratextual materials together with the readings of characters and relationships more commonly associated with the genre of soap opera.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":"20 1","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2025-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020251339398","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This article focuses on EastEnders ’ fan responses to the storyline known as ‘The Six’, which began with a flash-forward in an episode aired in February 2023 and involves six female characters faced with a dead body in the local pub, The Queen Vic. It argues that ‘The Six’ can be read as a form of ‘event television’ which highlights the show’s attempts to innovate within the soap genre, to set up a core narrative enigma which fans could attempt to ‘work out’, and to enable fans to maintain existing attachments to the series’ characters. The article thus considers how this offered a form of ‘forensic fandom’ that brought reading modes such as looking for evidence within episodes and in paratextual materials together with the readings of characters and relationships more commonly associated with the genre of soap opera.
期刊介绍:
Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.