{"title":"Identity formation and possible selves of early career instrumental music teachers: A qualitative study","authors":"Leon de Bruin","doi":"10.1177/03057356251320976","DOIUrl":null,"url":null,"abstract":"Teacher identity is a complex and non-linear evolution involving knowledge, skill, formation, transformation, and scrutiny of what one is doing and who one can become. This phenomenological investigation studied the views of 12 early career instrumental music teachers working professionally in Melbourne, Australia. Utilising possible selves theory, interpretative phenomenological analysis revealed anxieties and stresses of novice teacher experiences, the measuring up and barrier breaking of professional models and relations, and evolving possible selves from past and present experiential encounters. Current identity perceptions shaped future goals that were crafted through an agentic reality in which music teachers reconciled their training, and apriori experiences with their existential positioning in the field. Participants oscillated between knowledge, values, attitudes, and learning experiences, reflecting on past and current experiential episodes and events and how these shape trajectories and provide a future vision of professional role and status. Findings suggest teacher identity as a dynamic, holistic interaction mediated across facets including prior experiences, schooling, ones’ teacher education experience, professional experience and current teaching contexts, and career plans and imagined trajectories. Implications are proposed for music teacher education, quality collaborations between school and employment destinations and teacher training that prepares for the complex secondary education field.","PeriodicalId":47977,"journal":{"name":"Psychology of Music","volume":"35 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2025-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Psychology of Music","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/03057356251320976","RegionNum":3,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Teacher identity is a complex and non-linear evolution involving knowledge, skill, formation, transformation, and scrutiny of what one is doing and who one can become. This phenomenological investigation studied the views of 12 early career instrumental music teachers working professionally in Melbourne, Australia. Utilising possible selves theory, interpretative phenomenological analysis revealed anxieties and stresses of novice teacher experiences, the measuring up and barrier breaking of professional models and relations, and evolving possible selves from past and present experiential encounters. Current identity perceptions shaped future goals that were crafted through an agentic reality in which music teachers reconciled their training, and apriori experiences with their existential positioning in the field. Participants oscillated between knowledge, values, attitudes, and learning experiences, reflecting on past and current experiential episodes and events and how these shape trajectories and provide a future vision of professional role and status. Findings suggest teacher identity as a dynamic, holistic interaction mediated across facets including prior experiences, schooling, ones’ teacher education experience, professional experience and current teaching contexts, and career plans and imagined trajectories. Implications are proposed for music teacher education, quality collaborations between school and employment destinations and teacher training that prepares for the complex secondary education field.
期刊介绍:
Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.