The Dichotomy of Opposition Between the Image of Technology and the Pre-Technological Era in Martin Heidegger’s Philosophy of Art

Abstract

Globalization and the digital revolution have forced a rethink of many philosophical works of the 20th century. Among them, Martin Heidegger’s ideas attract special attention. The main purpose of the article is to study the dichotomy of opposition between the image of technology and the pre-technological era in Martin Heidegger’s philosophy of art. Research methods include the possibility of recombination of heterogeneous data to obtain previously unknown knowledge and semantic analysis of Martin Heidegger’s works. The study proposes a model of the dichotomy of civilization development within the framework of Ge-stell. The essence of this model is the concept of Ge-stell, which now covers modern civilization with industrial and digital technologies. At the same time, humanity and nature are a “permanent reserve” in relation to Ge-stell, that is, according to Heidegger’s ideas, Bestand. Humanity has two paths of development, which involve creation and destruction. Technological development over the past two centuries has caused a global environment. In his philosophy, Heidegger proposed art as the only way to overcome the crisis of modernity. The findings expand the understanding of the global problems associated with the modern development of human civilization through a new rethinking of Heidegger’s ideas. The study offers an alternative to the path of destruction through the mechanism of creative perception of technology through art.