The Nuova Destra in Italy: an investigation between history and historiography

IF 0.4 3区 历史学 Q3 AREA STUDIES
Modern Italy Pub Date : 2025-03-24 DOI:10.1017/mit.2024.70
David Bernardini
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引用次数: 0

Abstract

The aim of this article is to analyse the Italian Nuova Destra. The first part examines the birth of the Nuova Destra within the current of the Movimento Sociale Italiano (MSI), referring particularly to Pino Rauti, a founder and leader. Following the experience of the magazine La Voce della Fogna and the Hobbit Camps, the first publishing initiatives of the Nuova Destra – Diorama letterario and Elementi, influenced by Alain de Benoist and the French Nouvelle Droite – were established. The second part analyses the path of the Nuova Destra as an autonomous cultural current. After Marco Tarchi’s expulsion from the MSI in 1981, the Nuova Destra launched an aggressive publishing strategy that failed to make the necessary organisational leap and came to an end around 1994. Nevertheless, the Nuova Destra has created a recognisable current, culturally eclectic and capable of ranging over different fields of knowledge with ‘metapolitics’ and ‘right-wing Gramscism’.
意大利的Nuova Destra:历史与史学之间的研究
本文的目的是分析意大利的Nuova Destra。第一部分考察了Nuova Destra在意大利社会运动(MSI)的背景下的诞生,特别提到了创始人和领导者Pino Rauti。继《福尼亚之声》杂志和《霍比特人营地》的经验之后,受阿兰·德·贝诺伊斯特和法国《新文学》的影响,成立了《新艺术》的第一批出版倡议——《透视字体》和《元素》。第二部分分析了“新家园”作为一股自主文化潮流的路径。1981年马尔科·塔奇被驱逐出MSI后,《新报》发起了一项激进的出版战略,但未能实现必要的组织跨越,并在1994年左右结束。然而,Nuova Destra创造了一个公认的潮流,文化折衷主义,能够用“元政治”和“右翼语法主义”涵盖不同的知识领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Modern Italy
Modern Italy Multiple-
CiteScore
0.90
自引率
20.00%
发文量
50
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