Habitus and the relationship between youth culture and transition: A Bourdieusian analysis of musical culture and inequality in Japan

IF 1.7 Q2 SOCIOLOGY
Naoki Iso, Takashi Hiraishi, Kaoru Mori, Kazuo Fujimoto
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引用次数: 0

Abstract

The relationships between youth culture and social transitions are examined through a Bourdieusian analysis of musical culture and inequality in contemporary Japan. Employing Bourdieu's concepts of habitus, capital, field, and space, the traditional divide between youth cultural studies and transition research is addressed. Using mixed methods and combining multiple correspondence analysis (MCA) of the survey data (n = 1425) and in-depth interviews (n = 42), this study examines how cultural practices in music intersect with career trajectories and social positions. The MCA reveals that musical knowledge correlates with high social status indicators such as better educational attainment and household income, while participation correlates with educational attainment. Young people occupy a lower social position; however, their active concert attendance patterns minimize status distinctions along the axis of musical participation. Through interview analysis, three key relationships between youth culture and transitions are identified: deep artistic engagement leading to arts-related career choices, common habitus manifesting in both artistic perception and professional expertise, and the important role of song lyrics in helping young people cope with adversities during transitions. The findings show that habitus mediates between cultural practices and social trajectories, offering a theoretical bridge between studies on youth culture and transition research. Musical preferences and engagement patterns vary by generation, but the influence of music transcends age groups, influencing those who engage with it frequently. This research contributes to both youth studies and cultural sociology, as Bourdieu's theoretical framework provides understanding of the complex relationship between cultural practices and social inequality in Japan.

习惯以及青年文化与转型之间的关系:对日本音乐文化和不平等现象的布尔迪厄斯分析
通过对当代日本音乐文化和不平等的布尔迪厄式分析,研究了青年文化与社会转型之间的关系。本文运用布迪厄的“习性”、“资本”、“场域”和“空间”等概念,解决了青年文化研究与转型研究之间的传统分歧。本研究采用混合方法,结合调查数据(n = 1425)的多重对应分析(MCA)和深度访谈(n = 42),探讨音乐中的文化实践如何与职业轨迹和社会地位交叉。MCA显示,音乐知识与较高的社会地位指标(如较高的教育程度和家庭收入)相关,而音乐参与与教育程度相关。年轻人的社会地位较低;然而,他们积极的音乐会出席模式最小化了沿音乐参与轴的地位差异。通过访谈分析,我们确定了青年文化与转型之间的三个关键关系:深刻的艺术投入导致与艺术相关的职业选择,共同的习惯体现在艺术感知和专业知识上,以及歌词在帮助年轻人应对转型逆境中的重要作用。研究结果表明,习惯在文化实践和社会轨迹之间起中介作用,为青年文化研究和转型研究提供了理论桥梁。音乐偏好和参与模式因世代而异,但音乐的影响超越了年龄组,影响着那些经常接触音乐的人。这项研究对青年研究和文化社会学都有贡献,因为布迪厄的理论框架提供了对日本文化实践与社会不平等之间复杂关系的理解。
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CiteScore
1.90
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0.00%
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