The arts and hemispheric specialization.

Abstract

Art was initially thought of as a single function linked mainly to spatial perception and right hemisphere functional specialization. Art was also considered to be diametrically opposed to language, further solidifying the right hemisphere specialization model. This view remained dominant for many decades. However, increase in published observations of artworks by professional artists following acquired unilateral hemispheric damage showed that quality artistic works can be produced when there is damage in either the left or the right hemisphere. With the advent of neuroimaging such as functional magnetic resonance imaging (fMRI), light was shed on the neural underpinning of the esthetics of artworks revealing activation in multiple regions across both hemispheres. The bulk of recent data suggests complementary hemispheric contributions to art production and esthetic evaluation of numerous art expressions. Similarly, creativity and imagination, upon which art expression depends, both appear to recruit interhemispheric processes. Culturally, the early evolutionary origin of art is associated mainly with Homo sapiens (HS) but, despite evidence for cerebral asymmetry based on fossil skulls, their emergence did not coincide with visual art making. A significant lag of hundreds of thousands of years intervened before humans produced art consistently and abundantly. By now, the arts are practiced ubiquitously throughout the globe, in all human societies.