Seeking safety: Identifying protection gaps for artists in South Sudan

IF 2.2 3区 社会学 Q1 INTERNATIONAL RELATIONS
Kara A. Blackmore
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引用次数: 0

Abstract

Protection of artists during times of conflict has no specific framework in international humanitarian law. However, cultural sites, artefacts and institutions are protected. Advocates working from the position of ‘cultural rights’ understand that artists who are specifically persecuted should be protected for defending human rights. Artists are targeted during conflict just like material culture for their symbolic contribution to society. During times of armed conflict, artists have few places to go. This worsens in protracted conflicts that drag on for generations. In contemporary South Sudan, conflict has driven out artists seeking protection and freedom of expression. This article contributes empirical evidence from South Sudan to reveal how artists experience the protection gap and how they become informal protection stakeholders. Identifying self-protection strategies gives insights for opening up further research on social and political phenomena impacting disputed territories or places impacted by long-term symbolic violence. In these contexts, this chapter shows the pathways artists take to not only seek shelter but to continue their work in exile.

寻求安全:确定南苏丹艺术家的保护缺口
在国际人道主义法中,对冲突期间艺术家的保护没有具体的框架。然而,文化遗址、文物和机构受到保护。站在“文化权利”立场上的倡导者明白,那些特别受到迫害的艺术家应该受到保护,因为他们捍卫了人权。艺术家和物质文化一样,因为他们对社会的象征性贡献而成为冲突中的目标。在武装冲突时期,艺术家们无处可去。这种情况在拖延几代人的长期冲突中恶化。在当代南苏丹,冲突驱逐了寻求保护和言论自由的艺术家。本文提供了来自南苏丹的经验证据,揭示了艺术家如何经历保护缺口,以及他们如何成为非正式的保护利益相关者。确定自我保护策略为进一步研究影响有争议领土或受长期象征性暴力影响的地方的社会和政治现象提供了见解。在这些背景下,本章展示了艺术家们不仅寻求庇护,而且在流亡中继续他们的工作的途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Global Policy
Global Policy Multiple-
CiteScore
3.60
自引率
10.50%
发文量
125
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