{"title":"INHERITANCE AND INCEST: TOWARD A LÉVI-STRAUSSIAN READING OF MONTESQUIEU'S DE L'ESPRIT DES LOIS1","authors":"Paul Cheney","doi":"10.1111/hith.12369","DOIUrl":null,"url":null,"abstract":"<p>The premise of this article is that Montesquieu, while seen as an Enlightenment thinker who contributed centrally to the development of the social sciences before the period of discipline formation in the nineteenth century, is generally appreciated in only the vaguest of terms. To the degree that he has been seen as a social theorist rather than as a belletrist or a political writer, scholars have had to amputate major sections of his masterwork, <i>De l'esprit des lois</i> (1748). In so doing, they have tended to give false or at least only partial readings of a work whose author insisted must be read as a whole. This article proceeds in an unorthodox fashion—at least for a historian—through a reading of <i>De l'esprit des lois</i> against Claude Lévi-Strauss's <i>Les structures élémentaires de la parenté</i> (1949). Through this parallel reading, I establish that Montesquieu's treatment of inheritance bears a remarkable homology with Lévi-Strauss's treatment of incest in <i>Les structures élémentaires</i>. These authors saw their respective objects—the incest taboo, in one case, and inheritance law, in the other—as fundamental to regulating sociability itself. This technique offers a more unified reading of <i>De l'esprit des lois</i> and, in so doing, reassesses Montesquieu's contribution to modern social theory. From a methodological point of view, I am hoping to interest my readers in an alternative way of reading historical texts: juxtaposing texts or corpora that do not have the clear genetic links between them that are generally highly valued by historians. This is an example of what Robert B. Pippin has called “interanimation” and what I have elsewhere likened to the painterly technique of simultaneous contrast.</p>","PeriodicalId":47473,"journal":{"name":"History and Theory","volume":"64 1","pages":"46-74"},"PeriodicalIF":1.1000,"publicationDate":"2024-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/hith.12369","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"History and Theory","FirstCategoryId":"98","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/hith.12369","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
The premise of this article is that Montesquieu, while seen as an Enlightenment thinker who contributed centrally to the development of the social sciences before the period of discipline formation in the nineteenth century, is generally appreciated in only the vaguest of terms. To the degree that he has been seen as a social theorist rather than as a belletrist or a political writer, scholars have had to amputate major sections of his masterwork, De l'esprit des lois (1748). In so doing, they have tended to give false or at least only partial readings of a work whose author insisted must be read as a whole. This article proceeds in an unorthodox fashion—at least for a historian—through a reading of De l'esprit des lois against Claude Lévi-Strauss's Les structures élémentaires de la parenté (1949). Through this parallel reading, I establish that Montesquieu's treatment of inheritance bears a remarkable homology with Lévi-Strauss's treatment of incest in Les structures élémentaires. These authors saw their respective objects—the incest taboo, in one case, and inheritance law, in the other—as fundamental to regulating sociability itself. This technique offers a more unified reading of De l'esprit des lois and, in so doing, reassesses Montesquieu's contribution to modern social theory. From a methodological point of view, I am hoping to interest my readers in an alternative way of reading historical texts: juxtaposing texts or corpora that do not have the clear genetic links between them that are generally highly valued by historians. This is an example of what Robert B. Pippin has called “interanimation” and what I have elsewhere likened to the painterly technique of simultaneous contrast.
本文的前提是,尽管孟德斯鸠被视为启蒙思想家,在19世纪学科形成之前对社会科学的发展做出了主要贡献,但人们对他的评价通常是最模糊的。在某种程度上,他被视为一个社会理论家,而不是一个文学家或政治作家,学者们不得不删去他的杰作《法的精神》(De l’esprit des lois, 1748)的主要部分。在这样做的过程中,他们往往会对一部作者坚持必须整体阅读的作品给出错误的解读,或者至少只是部分解读。本文以一种非正统的方式进行——至少对一个历史学家来说是这样的——通过阅读克劳德·拉斯特劳斯1949年出版的《Les structures郁闷的父母》来反对克劳德·拉斯特劳斯的《Les esprit des lois》。通过这一平行阅读,我确立了孟德斯鸠对遗传的处理与斯特劳斯在《Les structures》中对乱伦的处理有着显著的同源性。这些作者认为他们各自的目标——一个是乱伦禁忌,另一个是继承法——是规范社会活动本身的基础。这种方法提供了一种更统一的解读《论法的精神》的方法,并以此重新评估孟德斯鸠对现代社会理论的贡献。从方法论的角度来看,我希望我的读者对另一种阅读历史文本的方式感兴趣:并置文本或语料库,这些文本或语料库之间没有明确的遗传联系,而历史学家通常高度重视这些联系。这是罗伯特·b·皮平所说的“交互动画”的一个例子,我在其他地方把它比作同时对比的绘画技巧。
期刊介绍:
History and Theory leads the way in exploring the nature of history. Prominent international thinkers contribute their reflections in the following areas: critical philosophy of history, speculative philosophy of history, historiography, history of historiography, historical methodology, critical theory, and time and culture. Related disciplines are also covered within the journal, including interactions between history and the natural and social sciences, the humanities, and psychology.