Beyond the youth smile: Investigating techniques and materials in Caroto's paintings by analytical single-point analyses and IR reflectography in full-field
{"title":"Beyond the youth smile: Investigating techniques and materials in Caroto's paintings by analytical single-point analyses and IR reflectography in full-field","authors":"Dafne Cimino , Angelo Agostino , Paola Artoni , Monica Molteni , Claudia Daffara","doi":"10.1016/j.culher.2024.12.012","DOIUrl":null,"url":null,"abstract":"<div><div>Giovan Francesco Caroto was a famous Renaissance who played a fundamental role in Venetian painting at the turn of the 15<sup>th</sup> and 16<sup>th</sup> centuries. Despite this, just a few of his works have been studied in depth with a multidisciplinary approach between art history and scientific diagnostics. In this study, twenty paintings spanning almost forty years of his entire production in different areas of Northern Italy were analysed. The occasion for this study was the monographic exhibition dedicated to Caroto in Verona, in the halls of the Palazzo della Gran Guardia, in 2022. The research project focused on the application of non-invasive and <em>in-situ</em> techniques on a large number of paintings, following a consolidated protocol from imaging to spectroscopic analyses. The goal was to transition the local determination into a whole pattern analysis through a chemometric statistical evaluation. Indeed, it was possible to gain an overview of the material dimension of the artist by correlating chemical data with the year and place of production. This was achieved by overlapping Vis-IR imaging data with a high number of surface analyses (UV-Vis-NIR fibre optics reflectance spectroscopy -FORS-), and stratigraphic elemental analyses (XRF spectrometry). A multi-layer reading of the analysed works was proposed from the preparatory layer to the glaze and surface finish. Full-field IR reflectography allowed the <em>corpus</em> analysed to be considered in its entirety, discriminating original materials and retouchings, for the identification of the areas most representative for chemical analyses. The application of this protocol, along with the cross-discussion of the data acquired, and the comparison with historical sources enabled the identification of the artist's palette and its evolution over time. Moreover, the determination of minerals and minor elements in pigments traced Caroto's movements between Verona and Casale Monferrato, also providing information on material supply habits.</div></div>","PeriodicalId":15480,"journal":{"name":"Journal of Cultural Heritage","volume":"71 ","pages":"Pages 370-381"},"PeriodicalIF":3.5000,"publicationDate":"2025-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Cultural Heritage","FirstCategoryId":"103","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S1296207424002644","RegionNum":2,"RegionCategory":"综合性期刊","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Giovan Francesco Caroto was a famous Renaissance who played a fundamental role in Venetian painting at the turn of the 15th and 16th centuries. Despite this, just a few of his works have been studied in depth with a multidisciplinary approach between art history and scientific diagnostics. In this study, twenty paintings spanning almost forty years of his entire production in different areas of Northern Italy were analysed. The occasion for this study was the monographic exhibition dedicated to Caroto in Verona, in the halls of the Palazzo della Gran Guardia, in 2022. The research project focused on the application of non-invasive and in-situ techniques on a large number of paintings, following a consolidated protocol from imaging to spectroscopic analyses. The goal was to transition the local determination into a whole pattern analysis through a chemometric statistical evaluation. Indeed, it was possible to gain an overview of the material dimension of the artist by correlating chemical data with the year and place of production. This was achieved by overlapping Vis-IR imaging data with a high number of surface analyses (UV-Vis-NIR fibre optics reflectance spectroscopy -FORS-), and stratigraphic elemental analyses (XRF spectrometry). A multi-layer reading of the analysed works was proposed from the preparatory layer to the glaze and surface finish. Full-field IR reflectography allowed the corpus analysed to be considered in its entirety, discriminating original materials and retouchings, for the identification of the areas most representative for chemical analyses. The application of this protocol, along with the cross-discussion of the data acquired, and the comparison with historical sources enabled the identification of the artist's palette and its evolution over time. Moreover, the determination of minerals and minor elements in pigments traced Caroto's movements between Verona and Casale Monferrato, also providing information on material supply habits.
乔凡·弗朗西斯科·卡罗托是文艺复兴时期著名的画家,他在15、16世纪之交的威尼斯绘画中发挥了重要作用。尽管如此,在艺术史和科学诊断之间的多学科方法中,只有少数作品得到了深入的研究。在这项研究中,分析了他在意大利北部不同地区近40年的全部作品中的20幅画。这项研究的场合是2022年在维罗纳大瓜迪亚宫大厅举行的卡罗托专题展览。该研究项目的重点是在大量画作上应用非侵入性和原位技术,遵循从成像到光谱分析的统一协议。目标是通过化学计量学统计评估将局部确定转换为整体模式分析。事实上,通过将化学数据与创作年份和地点联系起来,可以对艺术家的物质方面有一个概览。这是通过将可见光-红外成像数据与大量表面分析(紫外-可见光-近红外光纤反射光谱- fors -)和地层元素分析(XRF光谱)相重叠来实现的。提出了从预备层到釉面和表面处理的多层解读。全场红外反射成像允许对分析的语料库进行整体考虑,区分原始材料和修饰,以确定最具代表性的化学分析区域。这一协议的应用,以及对所获得数据的交叉讨论,以及与历史资料的比较,使艺术家的调色板及其随时间的演变得以确定。此外,对颜料中矿物质和微量元素的测定追踪了卡罗托在维罗纳和蒙费拉托之间的运动,也提供了材料供应习惯的信息。
期刊介绍:
The Journal of Cultural Heritage publishes original papers which comprise previously unpublished data and present innovative methods concerning all aspects of science and technology of cultural heritage as well as interpretation and theoretical issues related to preservation.