Social Dissonance and Living Currency: Mattin With Klossowski

Patrick ffrench
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Abstract

Mattin's Social Dissonance addresses the split between the social reality of economic exchange determined by the commodity form, on the one hand, and the phantasm or myth of the self as an agent of its own experience and as an immediate given, on the other hand. It is thus concerned with what Mattin calls ‘alienation from above’ and ‘alienation from below’. One of its key formulations with regard to the latter form of alienation is the notion of ‘phantasmatic subjectivity’, through which a reified yet naturalised phantom of the self is projected, masking the reality of cognitive and sub-cognitive processes. In this article, I propose a comparative discussion of Mattin's project with the French writer Pierre Klossowski's essay Living Currency (1970). Working with the influences of Nietzsche, Sade and Fourier, Klossowski also conceives of the self as a fixing or commodification of the impulses. Mattin and Klossowski are thus engaged with each other in their respective accounts of the phantasmatic construction of subjectivity. The article then follows through the divergences of the consequences derived from this analysis.

社会失调与生活货币:martin With Klossowski
马丁的《社会失调》阐述了由商品形式决定的经济交换的社会现实与自我作为其自身经验的代理人和直接给予者的幻想或神话之间的分裂。因此,它与马丁所说的“自上而下的异化”和“自下而上的异化”有关。关于后一种异化形式,它的一个关键表述是“幻相主体性”的概念,通过这个概念,一个物化但自然化的自我幻影被投射出来,掩盖了认知和次认知过程的现实。在这篇文章中,我提议将马丁的计划与法国作家皮埃尔·克洛索夫斯基(Pierre Klossowski)的文章《生活货币》(Living Currency, 1970)进行比较讨论。在尼采、萨德和傅立叶的影响下,克劳索夫斯基还将自我视为冲动的固定或商品化。因此,马丁和克罗索夫斯基在各自对主体性的幻相建构的描述中相互纠缠。然后,文章通过这一分析得出的结果的分歧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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