{"title":"“Cash Masters” Coming Out as “Straight”: Social Media and the Changing Dynamics of Gender and Sexuality","authors":"Sozen Basturk","doi":"10.1177/20563051251313662","DOIUrl":null,"url":null,"abstract":"This article explores a novel concept called “straight cash master” emerging on social media platforms, especially X. The concept refers to relationships where self-identified straight men act as masters and primarily gay individuals take on the role of slaves. Several factors make this concept worthy of examination. First, these relationships are complex, involving dimensions of financial domination, sexuality, emotionality, and psychology. Second, while elements of sex work, fetishism, and BDSM (Bondage, Discipline, Sadism, and Masochism) culture are present, categorizing these masters solely as sex workers or performers and using a single theoretical framework for analysis may be inadequate. Third, the “straight” identity of these cash masters does not orient them toward the opposite sex but rather involves same-sex interactions. Thus, their “straightness” lacks the opposite sex and can only be articulated if relied on the same-sex slaves, thereby queering the notion of straightness. Finally, while social media perpetuates traditional norms of gender, sexuality, and masculinity, it also enables such relationships to emerge, having a queering effect. Despite its relevance, there is a noticeable gap in the literature addressing the interplay between social media and this concept. Drawing on unstructured, in-depth interview and qualitative content analysis methods, this article represents the first attempt, to the best of the author’s knowledge, to address this gap and offers a queer reading of it.","PeriodicalId":47920,"journal":{"name":"Social Media + Society","volume":"55 1","pages":""},"PeriodicalIF":5.5000,"publicationDate":"2025-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social Media + Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/20563051251313662","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
Abstract
This article explores a novel concept called “straight cash master” emerging on social media platforms, especially X. The concept refers to relationships where self-identified straight men act as masters and primarily gay individuals take on the role of slaves. Several factors make this concept worthy of examination. First, these relationships are complex, involving dimensions of financial domination, sexuality, emotionality, and psychology. Second, while elements of sex work, fetishism, and BDSM (Bondage, Discipline, Sadism, and Masochism) culture are present, categorizing these masters solely as sex workers or performers and using a single theoretical framework for analysis may be inadequate. Third, the “straight” identity of these cash masters does not orient them toward the opposite sex but rather involves same-sex interactions. Thus, their “straightness” lacks the opposite sex and can only be articulated if relied on the same-sex slaves, thereby queering the notion of straightness. Finally, while social media perpetuates traditional norms of gender, sexuality, and masculinity, it also enables such relationships to emerge, having a queering effect. Despite its relevance, there is a noticeable gap in the literature addressing the interplay between social media and this concept. Drawing on unstructured, in-depth interview and qualitative content analysis methods, this article represents the first attempt, to the best of the author’s knowledge, to address this gap and offers a queer reading of it.
期刊介绍:
Social Media + Society is an open access, peer-reviewed scholarly journal that focuses on the socio-cultural, political, psychological, historical, economic, legal and policy dimensions of social media in societies past, contemporary and future. We publish interdisciplinary work that draws from the social sciences, humanities and computational social sciences, reaches out to the arts and natural sciences, and we endorse mixed methods and methodologies. The journal is open to a diversity of theoretic paradigms and methodologies. The editorial vision of Social Media + Society draws inspiration from research on social media to outline a field of study poised to reflexively grow as social technologies evolve. We foster the open access of sharing of research on the social properties of media, as they manifest themselves through the uses people make of networked platforms past and present, digital and non. The journal presents a collaborative, open, and shared space, dedicated exclusively to the study of social media and their implications for societies. It facilitates state-of-the-art research on cutting-edge trends and allows scholars to focus and track trends specific to this field of study.