Musician's Experience After Breast Cancer Treatment: Defining Musical Toxicity and its Frequency.

IF 4.6 3区 医学 Q1 ONCOLOGY
JCO oncology practice Pub Date : 2025-08-01 Epub Date: 2025-01-22 DOI:10.1200/OP-24-00729
Jessica F Burlile, Joshua D Cameron, Heather J Gunn, Nicole L Larson, Jennifer L Bradt, Judy C Boughey, Mary M Mrdutt, Fergus J Couch, Janet E Olson, Valerie Cangie, Shawna Ehlers, Yasamin Sharifzadeh, Kathryn J Ruddy, Dean A Shumway, Charles L Loprinzi, Elizabeth J Cathcart-Rake
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引用次数: 0

Abstract

Purpose: Over 50% of households in the United States have at least one musician-many musicians are also breast cancer survivors. This group has not been well studied, and given the level of fine sensory-motor skill required for musicianship, we hypothesized that musicians experience unique manifestations of breast cancer treatment toxicities.

Methods: A nine-item Musical Toxicity Questionnaire (MTQ) was distributed to patients who had consented to participate in the Mayo Clinic Breast Cancer Registry. The MTQ screened participants by asking if they played a musical instrument or sang in the last 10 years: questions populated for those who answered yes. Respondents were asked if they noticed difficulty with their musical endeavor during or after breast cancer treatment, defined as acute musical toxicity (AMT). The questionnaire asked which side effect and cancer-directed therapy most influenced musical ability, what musical attributes were affected, and the timeline of resolution. Multivariable and classification tree analyses assessed relationships between AMT and treatment characteristics.

Results: Of 1,871 survey respondents, 29% (535/1,871) self-identified as musicians. Over a quarter (27%, 144/535) reported AMT, and for 57% (82/144), AMT had not resolved at the time of survey. Of the treatments each participant received, chemotherapy was most often reported as most negatively impactful (63/89 who received chemotherapy, 71%). Decreased endurance was the most common musical difficulty (64% of those with AMT, 92/144), followed by decreased accuracy, trouble playing/singing quickly, and difficulty using proper technique. Multivariable and classification tree analyses revealed that receipt of chemotherapy was most strongly correlated with AMT.

Conclusion: These results will help oncology care teams counsel musicians, answer questions about impacts on musicality, and provide a timeline for resolution of musical symptoms.

Abstract Image

Abstract Image

音乐家在乳腺癌治疗后的经历:音乐毒性的定义及其频率。
目的:超过50%的美国家庭至少有一位音乐家——许多音乐家也是乳腺癌幸存者。这一群体还没有得到很好的研究,并且考虑到音乐技能所需的精细感觉运动技能水平,我们假设音乐家经历了乳腺癌治疗毒性的独特表现。方法:向同意参加梅奥诊所乳腺癌登记的患者分发一份包含九项内容的音乐毒性问卷(MTQ)。MTQ通过询问参与者在过去10年里是否演奏乐器或唱歌来筛选参与者,这些问题是为回答“是”的人准备的。受访者被问及在乳腺癌治疗期间或之后是否注意到音乐上的困难,这被定义为急性音乐毒性(AMT)。问卷询问了哪些副作用和癌症导向治疗对音乐能力影响最大,哪些音乐属性受到影响,以及解决的时间。多变量和分类树分析评估了AMT与治疗特征之间的关系。结果:在1,871名调查对象中,29%(535/1,871)自认为是音乐家。超过四分之一(27%,144/535)报告AMT, 57%(82/144)在调查时AMT未解决。在每个参与者接受的治疗中,化疗最常被报道为最负面的影响(63/89接受化疗,71%)。耐力下降是最常见的音乐困难(64%的AMT患者,92/144),其次是准确性下降,演奏/唱歌困难,以及难以使用适当的技术。多变量和分类树分析显示,接受化疗与AMT的相关性最强。结论:这些结果将有助于肿瘤护理团队为音乐家提供咨询,回答有关音乐性影响的问题,并提供解决音乐症状的时间表。
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来源期刊
CiteScore
6.40
自引率
7.50%
发文量
518
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