What role did serious mental illness play in Jackson Pollock's drip paintings? Abstract expressionism and possible links to serious mental illness and encrypted images (polloglyphs).

IF 3.4 3区 医学 Q2 CLINICAL NEUROLOGY
Stephen M Stahl, Debbi Ann Morrissette, Jahon Jabali, Jon A Gates
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Abstract

The link between creativity and serious mental illness (SMI) is widely discussed. Jackson Pollock is one example of a giant in the field of art who was both highly creative and experiencing an SMI. Pollock created a new genre of art known as abstract expressionism ("action painting") defined as showing the frenetic actions of painting. The question arises whether his SMI played any role in the way he created his drip paintings, especially when he was overactive and manic. Furthermore, did visual hallucinations or enhanced visual perception associated with mania or psychosis facilitate Pollock in embedding and camouflaging images under layers of thrown paint? Seeing images in Pollocks drip paintings has been a controversy ever since these paintings were created. Some experts attribute this to pareidolia-perceiving specific images out of random or ambiguous visual patterns-a phenomenon known to be enhanced by fractal fuzzy edges such as seen in Rorschach ink blots as well as in Pollock drip paintings. So, are Pollock's drip paintings merely giant Rorschach images, or did Pollock insert polloglyphs-images that are encrypted that tell a story about Pollock's inner being-into his paintings and then disguise them with drippings? Here, we explore answers to these questions and discuss images that Pollock included in his earliest sketches and used repeatedly in his abstract paintings and later in his drip paintings to argue that these images are not accidental.

创造力与严重精神疾病(SMI)之间的联系被广泛讨论。杰克逊-波洛克(Jackson Pollock)就是一个既具有高度创造力又患有严重精神疾病的艺术巨匠的例子。波洛克创造了一种新的艺术流派,即抽象表现主义("行动绘画"),被定义为表现狂热的绘画行动。问题是,他的 SMI 是否在他创作滴画的过程中起到了任何作用,尤其是在他过度活跃和狂躁的时候。此外,与狂躁症或精神病相关的视觉幻觉或视觉感知增强是否有助于波洛克将图像嵌入并掩盖在层层泼洒的颜料之下?在波洛克的滴水画中看到图像,自这些画作问世以来就一直存在争议。一些专家将其归因于帕雷多尼亚症--从随机或模糊的视觉图案中感知特定的图像--众所周知,这种现象会因分形模糊边缘而增强,如在罗夏墨迹和波洛克滴画中看到的分形模糊边缘。那么,波洛克的滴水画是否只是巨大的罗夏图像,或者波洛克是否在他的画作中插入了polloglyphs--被加密的图像,讲述了波洛克内心的故事--然后用滴水来伪装它们?在这里,我们将探讨这些问题的答案,并讨论波洛克最早的草图中包含的图像,以及在他的抽象画和后来的滴画中反复使用的图像,从而论证这些图像并非偶然。
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来源期刊
CNS Spectrums
CNS Spectrums 医学-精神病学
CiteScore
6.20
自引率
6.10%
发文量
239
审稿时长
>12 weeks
期刊介绍: CNS Spectrums covers all aspects of the clinical neurosciences, neurotherapeutics, and neuropsychopharmacology, particularly those pertinent to the clinician and clinical investigator. The journal features focused, in-depth reviews, perspectives, and original research articles. New therapeutics of all types in psychiatry, mental health, and neurology are emphasized, especially first in man studies, proof of concept studies, and translational basic neuroscience studies. Subject coverage spans the full spectrum of neuropsychiatry, focusing on those crossing traditional boundaries between neurology and psychiatry.
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