The support of autonomy, motivation, and music practice in university music students: A self-determination theory perspective

IF 1.6 3区 心理学 0 MUSIC
Arielle Bonneville-Roussy, Paul Evans
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引用次数: 0

Abstract

Practice may be the single most important activity that musicians can use to improve their performance. Yet practice requires significant effort and can sometimes feel difficult or unenjoyable. For this reason, substantial motivational resources are required to sustain consistent, high-quality practice over long periods. In this study, we used self-determination theory to study the kinds of motivation that predict practice behavior and the potential influence that teachers might have on their students’ behaviors. A total of 213 university music students in the United Kingdom and Canada completed measures of practice time, practice quality, motivation, and their teacher’s teaching style. Hypothesized relationships between these variables were examined using structural equation modeling. Results supported the process model in which teacher autonomy supported predicted autonomous motivation, which in turn predicted practice time and practice quality. Teacher control predicted controlled motivation, but controlled motivation was not predictive of practice time or practice quality. Indirect effects suggested that motivation fully mediates the link between teaching style and practice behavior. The findings add clarity to research aiming to understand the kinds of social environments that lead students to develop forms of motivation that enable them to practice in a way that is enjoyable and productive.
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来源期刊
CiteScore
4.00
自引率
17.60%
发文量
88
期刊介绍: Psychology of Music and SEMPRE provide an international forum for researchers working in the fields of psychology of music and music education, to encourage the exchange of ideas and to disseminate research findings. Psychology of Music publishes peer-reviewed papers directed at increasing the scientific understanding of any psychological aspect of music. These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. Special emphasis is placed on studies carried out in naturalistic settings, especially those which address the interface between music psychology and music education.
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